Recent Submissions

  • Vocal imitation of synthesised sounds varying in pitch, loudness and spectral centroid 

    MEHRABI, A; Dixon, S; Sandler, (Acoustical Society of America, 2017-01)
    Vocal imitations are often used to convey sonic ideas [Lemaitre, Dessein, Susini, and Aura. (2011). Ecol. Psych. 23 (4), 267–307]. For computer based systems to interpret these vocalisations, it is advantageous to apply ...
  • User Preference on Artificial Reverberation and Delay Time Parameters 

    REISS, J (Audio Engineering Society, 2017-02)
  • A Machine-Learning Approach to Application of Intelligent Artificial Reverberation 

    Chourdakis, E; REISS, J (Audio Engineering Society, 2017-02)
    We propose a design of an adaptive digital audio effect for artificial reverberation, controlled directly by desired reverberation characteristics, that allows it to learn from the user in a super- vised way. The user ...
  • Automatic Transcription of Vocal Quartets 

    BENETOS, E; Schramm,, R; DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London, 2016-12-20)
    This work presents a probabilistic latent component analysis (PLCA) method applied to automatic music transcription of a cappella performances of vocal quartets. A variable-Q transform (VQT) representation of the audio ...
  • Intelligent Audio Mixing Using Deep Learning 

    MARTINEZ RAMIREZ, MA; Reiss, J; DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London, 2016-12)
    We propose a research trajectory in the field of deep learning applied to music production systems such as mixing, mastering, sound design and sound synthesis.
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