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Evaluation of live human-computer music-making: Quantitative and qualitative approaches

Stowell, D; Robertson, A; Bryan-Kinns, N; Plumbley, MD (2009-11)

Generality and specificity in the effects of musical expertise on perception and cognition.

Carey, D; Rosen, S; Krishnan, S; Pearce, MT; Shepherd, A; Aydelott, J; Dick, F (2015-04)

Performing musicians invest thousands of hours becoming experts in a range of perceptual, attentional, and cognitive skills. The duration and intensity of musicians' training - far greater than that of most educational or ...

Computers in Support of Musical Expression

Bryan-Kinns, Nick (2013-12-30)

Using affective and behavioural sensors to explore aspects of collaborative music making

Morgan, E; Gunes, H; Bryan-Kinns, N (2015-10)

Face the Music and Glance: How Nonverbal Behaviour Aids Human Robot Relationships Based in Music

McCallum, L; McOwan, PW; ACM (2015)

Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music

Egermann, H; Pearce, MT; Wiggins, GA; McAdams, S (2013-09)

PERFORMANCE FOLLOWING: TRACKING A PERFORMANCE WITHOUT A SCORE

Stark, AM; Plumbley, MD (2010)

Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework

Fazekas, G; Barthet, M; Sandler, MB (2014)

Reduced prediction error responses in high-as compared to low-uncertainty musical contexts

Quiroga-Martinez, DR; Hansen, NC; Hojlund, A; Pearce, MT; Brattico, E; Vuust, P (2019-11)

Evaluative judgment across domains: Liking balance, contour, symmetry and complexity in melodies and visual designs.

Clemente, A; Pearce, MT; Skov, M; Nadal, M (2021-04-19)

Evaluative judgment-i.e., assessing to what degree a stimulus is liked or disliked-is a fundamental aspect of cognition, facilitating comparison and choosing among alternatives, deciding, and prioritizing actions. Neuroimaging ...