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dc.contributor.authorBhandari, Ken_US
dc.contributor.authorColton, Sen_US
dc.contributor.authorArtificial Intelligence in Music, Sound, Art and Design – 13th International Conference, EvoMUSART 2024en_US
dc.contributor.editorJohnson, Cen_US
dc.contributor.editorRebelo, Sen_US
dc.contributor.editorSantos, Ien_US
dc.date.accessioned2024-02-12T08:48:49Z
dc.date.available2024-01-11en_US
dc.date.issued29-03-2024
dc.identifier.citationBhandari, K., Colton, S. (2024). Motifs, Phrases, and Beyond: The Modelling of Structure in Symbolic Music Generation. In: Johnson, C., Rebelo, S.M., Santos, I. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2024. Lecture Notes in Computer Science, vol 14633. Springer, Cham. https://doi.org/10.1007/978-3-031-56992-0_3
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/94584
dc.description.abstractModelling musical structure is vital yet challenging for artificial intelligence systems that generate symbolic music compositions. This literature review dissects the evolution of techniques for incorporating coherent structure, from symbolic approaches to foundational and transformative deep learning methods that harness the power of computation and data across a wide variety of training paradigms. In the later stages, we review an emerging technique which we refer to as “sub-task decomposition" that involves decomposing music generation into separate high-level structural planning and content creation stages. Such systems incorporate some form of musical knowledge or neuro-symbolic methods by extracting melodic skeletons or structural templates to guide the generation. Progress is evident in capturing motifs and repetitions across all three eras reviewed, yet modelling the nuanced development of themes across extended compositions in the style of human composers remains difficult. We outline several key future directions to realize the synergistic benefits of combining approaches from all eras examined.en_US
dc.publisherA Springer Nature Computer Science book series (CCIS, LNAI, LNBI, LNBIP or LNCS)en_US
dc.rightsThis version of the article has been accepted for publication, after peer review (when applicable) and is subject to Springer Nature’s AM terms of use, but is not the Version of Record and does not reflect post-acceptance improvements, or any corrections. The Version of Record is available online at: http://doi.org/10.1007/978-3-031-56992-0_3
dc.subjectGenerative Musicen_US
dc.subjectDeep Learningen_US
dc.subjectComputerized Musicen_US
dc.titleMotifs, Phrases, and Beyond: The Modelling of Structure in Symbolic Music Generationen_US
dc.typeConference Proceeding
dc.rights.holder© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG
dc.identifier.doidoi.org/10.1007/978-3-031-56992-0_3
pubs.notesNot knownen_US
pubs.publication-statusAccepteden_US
dcterms.dateAccepted2024-01-11en_US
rioxxterms.funderDefault funderen_US
rioxxterms.identifier.projectDefault projecten_US
qmul.funderUKRI Centre for Doctoral Training in Artificial Intelligence and Music::Engineering and Physical Sciences Research Councilen_US


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