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dc.contributor.authorBindi, G
dc.contributor.authorDemerlé, N
dc.contributor.authorDiaz, R
dc.contributor.authorGenova, D
dc.contributor.authorGolvet, A
dc.contributor.authorHayes, B
dc.contributor.authorHuang, J
dc.contributor.authorLiu, L
dc.contributor.authorMartos, V
dc.contributor.authorNabi, S
dc.contributor.authorPelinski, T
dc.contributor.authorRenault, L
dc.contributor.authorSarkar, S
dc.contributor.authorSarmento, P
dc.contributor.authorVahidi, C
dc.contributor.authorWolstanholme, L
dc.contributor.authorZhang, Y
dc.date.accessioned2023-11-16T11:51:44Z
dc.date.available2023-11-16T11:51:44Z
dc.date.issued2023-10-31
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/91957
dc.publisherInstitut de Recherche et Coordination Acoustique/Musique (IRCAM)en_US
dc.rightsAttribution 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.titleAI (r)evolution – where are we heading? Thoughts about the future of music and sound technologies in the era of deep learningen_US
dc.identifier.doi10.48550/arXiv.2310.18320
pubs.confidentialfalseen_US
pubs.notesNot knownen_US
pubs.place-of-publicationParis, Franceen_US
pubs.publication-statusPublished onlineen_US
qmul.funderUKRI Centre for Doctoral Training in Artificial Intelligence and Music::Engineering and Physical Sciences Research Councilen_US


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Attribution 3.0 United States
Except where otherwise noted, this item's license is described as Attribution 3.0 United States