dc.contributor.author | Bindi, G | |
dc.contributor.author | Demerlé, N | |
dc.contributor.author | Diaz, R | |
dc.contributor.author | Genova, D | |
dc.contributor.author | Golvet, A | |
dc.contributor.author | Hayes, B | |
dc.contributor.author | Huang, J | |
dc.contributor.author | Liu, L | |
dc.contributor.author | Martos, V | |
dc.contributor.author | Nabi, S | |
dc.contributor.author | Pelinski, T | |
dc.contributor.author | Renault, L | |
dc.contributor.author | Sarkar, S | |
dc.contributor.author | Sarmento, P | |
dc.contributor.author | Vahidi, C | |
dc.contributor.author | Wolstanholme, L | |
dc.contributor.author | Zhang, Y | |
dc.date.accessioned | 2023-11-16T11:51:44Z | |
dc.date.available | 2023-11-16T11:51:44Z | |
dc.date.issued | 2023-10-31 | |
dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/91957 | |
dc.publisher | Institut de Recherche et Coordination Acoustique/Musique (IRCAM) | en_US |
dc.rights | Attribution 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/us/ | * |
dc.title | AI (r)evolution – where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning | en_US |
dc.identifier.doi | 10.48550/arXiv.2310.18320 | |
pubs.confidential | false | en_US |
pubs.notes | Not known | en_US |
pubs.place-of-publication | Paris, France | en_US |
pubs.publication-status | Published online | en_US |
qmul.funder | UKRI Centre for Doctoral Training in Artificial Intelligence and Music::Engineering and Physical Sciences Research Council | en_US |