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dc.contributor.authorRiley, Xen_US
dc.contributor.authorDixon, Sen_US
dc.contributor.authorRiley, Jen_US
dc.contributor.authorSound and Music Computing Conferenceen_US
dc.date.accessioned2023-06-22T14:05:58Z
dc.date.available2023-03-24en_US
dc.date.issued2023-06-17en_US
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/89144
dc.description.abstractTracking the fundamental frequency (f0) of a monophonic instrumental performance is effectively a solved problem with several solutions achieving 99% accuracy. However, the related task of automatic music transcription requires a further processing step to segment an f0 contour into discrete notes. This sub-task of note segmentation is necessary to enable a range of applications including musicological analysis and symbolic music generation. Building on CREPE, a state-of-the-art monophonic pitch tracking solution based on a simple neural network, we propose a simple and effective method for post-processing CREPE’s output to achieve monophonic note segmentation. The proposed method demonstrates state-of-the-art results on two challenging datasets of monophonic instrumental music. Our approach also gives a 97% reduction in the total number of parameters used when compared with other deep learning based methodsen_US
dc.rightsAttribution 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.titleCREPE NOTES: A NEW METHOD FOR SEGMENTING PITCH CONTOURS INTO DISCRETE NOTESen_US
dc.typeConference Proceeding
pubs.author-urlhttps://www.xavierriley.co.uk/en_US
pubs.notesNot knownen_US
pubs.publication-statusAccepteden_US
dcterms.dateAccepted2023-03-24en_US
qmul.funderUKRI Centre for Doctoral Training in Artificial Intelligence and Music::Engineering and Physical Sciences Research Councilen_US


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Attribution 3.0 United States
Except where otherwise noted, this item's license is described as Attribution 3.0 United States