From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs
dc.contributor.author | Mice, L | en_US |
dc.contributor.author | Mcpherson, A | en_US |
dc.contributor.author | International Conference on New Interfaces for Musical Expression | en_US |
dc.contributor.editor | Michon, R | en_US |
dc.contributor.editor | Schroeder, F | en_US |
dc.date.accessioned | 2022-06-24T09:16:59Z | |
dc.date.issued | 2020-07-21 | en_US |
dc.identifier.issn | 2220-4806 | en_US |
dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/79121 | |
dc.description.abstract | hen performing with new instruments, musicians often develop new performative gestures and playing techniques.Music performance studies on new instruments often con-sider interfaces that feature a spectrum of gestures similar to already existing sound production techniques. This paper considers the choices performers make when creating an idiomatic gestural language for an entirely unfamiliar instrument. We designed a musical interface with a unique large-scale layout to encourage new performers to create fully original instrument-body interactions. We conducted a study where trained musicians were invited to perform one of two versions of the same instrument, each physically identical but with a different tone mapping. The study results reveal insights into how musicians develop novel performance gestures when encountering a new instrument characterised by an unfamiliar shape and size. Our discussion highlights the impact of an instrument’s scale and layout on the emergence of new gestural vocabularies and on the qualities of the music performed. | en_US |
dc.publisher | Birmingham City University | en_US |
dc.rights | This item is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. | |
dc.rights | Attribution 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/us/ | * |
dc.subject | Large Digital Musical Instruments | en_US |
dc.subject | Idiomaticity | en_US |
dc.subject | Gesture | en_US |
dc.title | From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs | en_US |
dc.type | Conference Proceeding | |
dc.rights.holder | © 2020, The Author(s) | |
dc.identifier.doi | 10.5281/zenodo.4813200 | en_US |
pubs.notes | Not known | en_US |
pubs.place-of-publication | Birmingham UK | en_US |
pubs.publication-status | Published | en_US |
pubs.publisher-url | https://www.nime.org/proceedings/2020/nime2020_paper111.pdf | en_US |
rioxxterms.funder | Default funder | en_US |
rioxxterms.identifier.project | Default project | en_US |
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Except where otherwise noted, this item's license is described as This item is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.