From Music Ontology Towards Ethno-Music-Ontology
dc.contributor.author | Proutskova, P | en_US |
dc.contributor.author | Volk, A | en_US |
dc.contributor.author | Heidarian, P | en_US |
dc.contributor.author | Fazekas, G | en_US |
dc.contributor.author | International Society for Music Information Retrieval Conference | en_US |
dc.date.accessioned | 2020-11-04T15:17:16Z | |
dc.date.available | 2020-07-31 | en_US |
dc.date.issued | 2020-10-11 | en_US |
dc.identifier.isbn | 978-0-9813537-0-8 | en_US |
dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/68018 | |
dc.description.abstract | This paper presents exploratory work investigating the suitability of the Music Ontology - the most widely used formal specification of the music domain - for modelling non-Western musical traditions. Four contrasting case studies from a variety of musical cultures are analysed: Dutch folk song research, reconstructive performance of rural Russian traditions, contemporary performance and composition of Persian classical music, and recreational use of a personal world music collection. We propose semantic models describing the respective do- mains and examine the applications of the Music Ontology for these case studies: which concepts can be successfully reused, where they need adjustments, and which parts of the reality in these case studies are not covered by the Mu- sic Ontology. The variety of traditions, contexts and modelling goals covered by our case studies sheds light on the generality of the Music Ontology and on the limits of generalisation “for all musics” that could be aspired for on the Semantic Web. | en_US |
dc.format.extent | 923 - 931 (8) | en_US |
dc.rights | This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. | |
dc.rights | Attribution 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/us/ | * |
dc.subject | Music Information Retrieval | en_US |
dc.subject | Music Ontology | en_US |
dc.subject | Ethno Musicology | en_US |
dc.title | From Music Ontology Towards Ethno-Music-Ontology | en_US |
dc.type | Conference Proceeding | |
dc.rights.holder | © 2020 Polina Proutskova, Anja Volk, Peyman Heidarian, György Fazekas. | |
pubs.author-url | http://semantiaudio.net/ | en_US |
pubs.notes | Not known | en_US |
pubs.publication-status | Published | en_US |
pubs.publisher-url | https://program.ismir2020.net/static/final_papers/323.pdf | en_US |
dcterms.dateAccepted | 2020-07-31 | en_US |
rioxxterms.funder | Default funder | en_US |
rioxxterms.identifier.project | Default project | en_US |
qmul.funder | Audio Commons: An Ecosystem for Creative Reuse of Audio Content::European Commission | en_US |
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