| dc.contributor.author | Wilmering, T | en_US |
| dc.contributor.author | Thalmann, F | en_US |
| dc.contributor.author | Sandler, MB | en_US |
| dc.contributor.author | 147th Audio Engineering Society International Convention 2019 | en_US |
| dc.date.accessioned | 2020-01-08T13:14:37Z | |
| dc.date.issued | 2019-10-08 | en_US |
| dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/62280 | |
| dc.description.abstract | Analogue recordings pose specific problems during automatic alignment, such as distortion due to physical degradation, or differences in tape speed during recording, copying, and digitisation. Oftentimes, recordings are incomplete, exhibiting gaps with different lengths. In this paper we propose a method to align multiple digitised analogue recordings of same concerts of varying quality and song segmentations. The process includes the automatic construction of a reference concert timeline. We evaluate alignment methods on a synthetic dataset and apply our algorithm to real-world data. | en_US |
| dc.rights | This is a pre-copyedited, author-produced version of an article accepted for publication in 147th Audio Engineering Society International Convention 2019 following peer review. The version of record is available http://www.aes.org/e-lib/browse.cfm?elib=20644 | |
| dc.title | Alignment and Timeline Construction for Incomplete Analogue Audience Recordings of Historical Live Music Concerts | en_US |
| dc.type | Conference Proceeding | |
| dc.rights.holder | © 2019 Audio Engineering Society | |
| pubs.notes | Not known | en_US |
| pubs.publication-status | Published | en_US |
| rioxxterms.funder | Default funder | en_US |
| rioxxterms.identifier.project | Default project | en_US |
