Browsing Department of Drama by Title
Now showing items 56-75 of 98
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The Matter of Metaphor: Remembering Phillip
(2020-10-01) -
Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory
(Johns Hopkins University Press, 2015-05-15)What does it mean to unearth the dead? What is contemporary society’s responsibility to the disappeared? How do we live with the ghosts of history? In the midst of the search for the body of Federico García Lorca in 2009, ... -
Mind the gap: Lawrence Hamilton and aesthetic representation
(Taylor & Francis (Routledge), 2017-07-06) -
"A Multi-modal and Durational Praxis of Decolonization": Performance studies in Canada
(University of Toronto Press, 2018-10-30)This review of Performance Studies in Canada edited by Laura Levin and Marlis Schweitzer argues that its most important contributions are the arguments it makes for paying attention to Indigeneity and to decolonizing ... -
Olympian Performance: The Cultural Economics of the Opening Ceremony of London 2012
(Public Access Collective, 2016-06-14) -
Performance and Value: The Work of Theatre in Karl Marx’s Critique of Political Economy
(2017-01-05)That theatre is a place of work seems beyond debate. But what kind of workplace is it? And under what conditions does theatre conform to a capitalist production process? At first glance these questions may seem obviously, ... -
Performing silence as political resistance: audience interaction and spatial politics in thomas ostermeier’s richard III
(2019-07-01)According to Jan Pappelbaum, what fascinated him and Thomas Ostermeier about ‘reconstructed’ Globe Theatres is that ‘[i]t becomes impossible to ignore the presence of the audience; actors are particularly exposed and ... -
“Personality Crisis? Honey, I was Born with One”: Lydia Lunch Interviewed
(Repeater, 2016-09-06)Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period ofcultural activity, and probes the lessons that might be learnt from history for artists ... -
Playing Josephus on the English Stage
(2016-10) -
Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space
(Taylor & Francis (Routledge): SSH Titles, 2016-05-06) -
Queering Time, Ageing, and Relationships with Split Britches
This article begins by outlining some dominant narratives that produce ageism by socially constructing older age as a time of linear decline, social dependency, social isolation, and intergenerational conflict. It then ... -
Relative Values: apreendendo o valor da cultura
(Itau Cultural, 2022-09-12)O artigo apresenta a relative values, metodologia proposta pelo People’s Palace Projects, centro de pesquisa em artes com sede em Londres. Explicitam-se a relação entre os objetivos do trabalho e a importância do seu caráter ... -
Rev. of Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015 by Sarah French
(University of Toronto Press, 2018-08-17) -
Ron Athey’s Visions of Excess: Performance After Georges Bataille
(Surrealism Centre, Universtiy of Manchester, 2010) -
Rudimentary Things: Becoming an Object in the Performances of Skip Arnold
Skip Arnold’s performances consist of an attempt to become an object, typically by way of a singular action repeated or sustained over a difficult duration. As such, in actions since the early 1980s, he has created bluntly ...