• Queering Time, Ageing, and Relationships with Split Britches 

  Harvie, J

  This article begins by outlining some dominant narratives that produce ageism by socially constructing older age as a time of linear decline, social dependency, social isolation, and intergenerational conflict. It then ...

• A Sense of Place: Staging Psychogeographies of the UK Housing Crisis 

  Harvie, J (De Gruyter, 2023-05-03)

  Contemporary Britain is experiencing an enduring and devastating housing crisis spearheaded in 1980 by Margaret Thatcher’s introduction of the “Right to Buy” social housing and sustained by an enduring neoliberal hegemony. ...

• A manifesto to decentre theatre and performance studies 

  Arora, S (2021-01-01)

  With the climate of Brexit, xenophobia and white supremacy on the rise, health and safety of Black and Global Majority people under threat during the spread of Covid in the UK and elsewhere, a discussion of colonialism, ...

• Relative Values: apreendendo o valor da cultura 

  Möller, G; Ruíz, K; Valiati, L; Nunes Aguiar, N; Heritage, P (Itau Cultural, 2022-09-12)

  O artigo apresenta a relative values, metodologia proposta pelo People’s Palace Projects, centro de pesquisa em artes com sede em Londres. Explicitam-se a relação entre os objetivos do trabalho e a importância do seu caráter ...

• How does urban violence impact choices of cultural participation? The case of the Mare favela complex in Rio de Janeiro 

  Iachan, L; Moreau, F; Heritage, P; Valiati, L; Silva, ES (2022-12-02)

• "This is My Life': Managing breath in Kirsty Young’s and Cumbernauld Theatre's LipSync (2019) and the COVID-19 pandemic" 

  Inchley, M

• ‘This is My Life’ 

  Inchley, M (2021-10-03)

• Change and Decline in London’s Jewish East End: the Yiddish sketches of Katie Brown 

  Lachs, V

• Using Arts-Based Methodologies to Understand Adolescent and Youth Manifestations, Representations, and Potential Causes of Depression and Anxiety in Low-Income Urban Settings in Peru 

  Hidalgo-Padilla, L; Vilela-Estrada, AL; Toyama, M; Flores, S; Ramirez-Meneses, D; Steffen, M; Heritage, P; Fung, C; Priebe, S; Diez-Canseco, F (2022-12)

• ‘Kind of Goya-esque or Something’: Charles Ray’s Early Works 

  Johnson, D (Wiley, 2022-04-01)

• Identifying resources used by young people to overcome mental distress in three Latin American cities: a qualitative study 

  Toyama, M; Godoy-Casasbuenas, N; Olivar, N; Brusco, LI; Carbonetti, F; Diez-Canseco, F; Gomez-Restrepo, C; Heritage, P; Hidalgo-Padilla, L; Uribe, M (2022-08)

• ALEX FERRONE. Stage Business and the Neoliberal Theatre of London 

  Harvie, J (2022-06-01)

• A PLACE OF SEEING: PEOPLE'S PALACE PROJECTS AND THE CITY OF RIO DE JANEIRO 

  Heritage, P; Steffen, M (2022-05-01)

  Since 2002, Rio de Janeiro has been a place from where the People's Palace Project (PPP) beholds the world. Created in 1997, the PPP is a research centre and a professional arts organisation that aims to explore how the ...

• The impacts on the mental health of residents of 16 favelas observed during the coronavirus pandemic in Brazil 

  Vernaglia, TVC; Paravidino, VB; Silva, ES; Valiati, L; Heritage, P; Priebe, S; Cruz, MS (2021-10-22)

• Staging Atmospheres: Editorial introduction to the second volume 

  Déchery, C; Welton, M (2021-12-22)

• Delete the Idea Down: James Lee Byars and the Performance of Abbreviation 

  Johnson, D

  A self-described “momenteer,” James Lee Byars (1932–1997) is arguably best remembered for the extravagant, imposing, and durable sculptural works he made in the 1980s and 1990s, typically using marble, bronze, glass, or ...

• '"It's Alive": Towards a Monsterized Theatre with Beatbox Academy's Frankenstein: How to Make a Monster (2018-)' 

  Inchley, M

• Volunteer Labor and Theatrical Community in Emma Rice's A Midsummer Night's Dream (2016) 

  Simari, A (2020-01-01)

• Labor in Contemporary Shakespeare Performance 

  Borsuk, A; Simari, A; Young, M (2020-01-01)

• ‘“Mr. Blue Sky” (1977) in the West End: Becoming Musical in Our Ladies of Perpetual Succour (2015)’. 

  Inchley, M

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