Browsing Department of Drama by Title
Now showing items 52-71 of 87
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Olympian Performance: The Cultural Economics of the Opening Ceremony of London 2012
(Public Access Collective, 2016-06-14) -
Performance and Value: The Work of Theatre in Karl Marx’s Critique of Political Economy
(2017-01-05)That theatre is a place of work seems beyond debate. But what kind of workplace is it? And under what conditions does theatre conform to a capitalist production process? At first glance these questions may seem obviously, ... -
Performing silence as political resistance: audience interaction and spatial politics in thomas ostermeier’s richard III
(2019-07-01)According to Jan Pappelbaum, what fascinated him and Thomas Ostermeier about ‘reconstructed’ Globe Theatres is that ‘[i]t becomes impossible to ignore the presence of the audience; actors are particularly exposed and ... -
“Personality Crisis? Honey, I was Born with One”: Lydia Lunch Interviewed
(Repeater, 2016-09-06)Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period ofcultural activity, and probes the lessons that might be learnt from history for artists ... -
Playing Josephus on the English Stage
(2016-10) -
Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space
(Taylor & Francis (Routledge): SSH Titles, 2016-05-06) -
Queering Time, Ageing, and Relationships with Split Britches
This article begins by outlining some dominant narratives that produce ageism by socially constructing older age as a time of linear decline, social dependency, social isolation, and intergenerational conflict. It then ... -
Relative Values: apreendendo o valor da cultura
(Itau Cultural, 2022-09-12)O artigo apresenta a relative values, metodologia proposta pelo People’s Palace Projects, centro de pesquisa em artes com sede em Londres. Explicitam-se a relação entre os objetivos do trabalho e a importância do seu caráter ... -
Rev. of Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015 by Sarah French
(University of Toronto Press, 2018-08-17) -
Ron Athey’s Visions of Excess: Performance After Georges Bataille
(Surrealism Centre, Universtiy of Manchester, 2010) -
Rudimentary Things: Becoming an Object in the Performances of Skip Arnold
Skip Arnold’s performances consist of an attempt to become an object, typically by way of a singular action repeated or sustained over a difficult duration. As such, in actions since the early 1980s, he has created bluntly ...