Browsing Centre for Digital Music (C4DM) by Issue Date
Now showing items 21-40 of 210
-
Audio Inpainting
(2012-03) -
Evolution of Music by Public Choice
(2012-07-24)Music evolves as composers, performers, and consumers favor some musical variants over others. To investigate the role of consumer selection, we constructed a Darwinian music engine consisting of a population of short audio ... -
Composing first species counterpoint with a variable neighbourhood search algorithm
(2012-12-26)In this article, a variable neighbourhood search (VNS) algorithm is developed that can generate musical fragments consisting of a melody for the cantus firmus and the first species counterpoint. The objective function of ... -
Automatic transcription of polyphonic music exploiting temporal evolution
(2012-12-31)Automatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, ... -
Musical timbre: bridging perception with semantics
(Queen Mary University of London, 2013)Musical timbre is a complex and multidimensional entity which provides information regarding the properties of a sound source (size, material, etc.). When it comes to music, however, timbre does not merely carry environmental ... -
The Audio Degradation Toolbox and its Application to Robustness Evaluation
(2013)We introduce the Audio Degradation Toolbox (ADT) for the controlled degradation of audio signals, and propose its usage as a means of evaluating and comparing the robustness of audio processing algorithms. Music recordings ... -
FuX, an Android app that generates counterpoint.
(IEEE, 2013)