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dc.contributor.authorWELTON, Men_US
dc.contributor.editorBannerman, Cen_US
dc.contributor.editorRui, Xen_US
dc.date.accessioned2017-02-14T14:32:11Z
dc.date.available2016-08-22en_US
dc.date.issued2018-12-01en_US
dc.date.submitted2016-09-19T14:27:42.752Z
dc.identifier.issn2040-5669en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/19385
dc.description.abstractIn this paper I consider three instances of the extra-linguistic translation of embodiment, affect and aesthetics in the context of intercultural performance during the ArtsCross project between 2011 and 2013. Drawing on Francois Jullien’s proposition that cultural knowledges might be considered in respect of ‘divergence’ rather than ‘difference’ (2011) I draw together Western phenomenologies of atmosphere with Chinese aesthetics to examine movement amongst bodies as atmospheric currents. Through close readings of instances of translation as it relates to dance practice in rehearsals for Bulareyaung Pagarlava’s Uncertain…Waiting… (2011), Liu Yan’s Speak to Him (2012), and Riccardo Buscarini’s No Lander (2013), I argue that an attention to the affective aesthetics of atmosphere (Böhme 1993), allows for an understanding of how intercultural performance projects such as ArtsCross model modes of ‘feeling together, differently’.en_US
dc.format.extent229 - 253 (25)en_US
dc.languageEnglishen_US
dc.language.isoenen_US
dc.publisherIntellecten_US
dc.relation.ispartofChoreographic Practicesen_US
dc.subjectresonance, birdsong, góng mìng, atmosphere, jiejing, translation, feelingen_US
dc.titleDancing With the Sound of Birds: Atmospheres and Translation in ArtsCrossen_US
dc.typeArticle
dc.rights.holder© 2017 Ingenta
dc.identifier.doi10.1386/chor.7.2.229_1en_US
pubs.issue2en_US
pubs.notes18 monthsen_US
pubs.publication-statusPublisheden_US
pubs.publisher-urlhttp://www.ingentaconnect.com/content/intellect/chor/2016/00000007/00000002/art00005en_US
pubs.volume7en_US
dcterms.dateAccepted2016-08-22en_US


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