Show simple item record

dc.contributor.authorWiggins, GAen_US
dc.contributor.authorBhattacharya, Jen_US
dc.date.accessioned2016-01-21T15:29:13Z
dc.date.available2014-07-02en_US
dc.date.issued2014en_US
dc.identifier.issn1662-5161en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/10872
dc.description.abstractCreativity is the hallmark of human cognition and is behind every innovation, scientific discovery, piece of music, artwork, and idea that have shaped our lives, from ancient times till today. Yet scientific understanding of creative processes is quite limited, mostly due to the traditional belief that considers creativity as a mysterious puzzle, a paradox, defying empirical enquiry. Recently, there has been an increasing interest in revealing the neural correlates of human creativity. Though many of these studies, pioneering in nature, help demystification of creativity, but the field is still dominated by popular beliefs in associating creativity with "right brain thinking", "divergent thinking", "altered states" and so on (Dietrich and Kanso, 2010). In this article, we discuss a computational framework for creativity based on Baars' Global Workspace Theory (GWT; Baars, 1988) enhanced with mechanisms based on information theory. Next we propose a neurocognitive architecture of creativity with a strong focus on various facets (i.e., unconscious thought theory, mind wandering, spontaneous brain states) of un/pre-conscious brain responses. Our principal argument is that pre-conscious creativity happens prior to conscious creativity and the proposed computational model may provide a mechanism by which this transition is managed. This integrative approach, albeit unconventional, will hopefully stimulate future neuroscientific studies of the inscrutable phenomenon of creativity.en_US
dc.description.sponsorshipBoth authors’ were funded by EPSRC Research Grant EP/H01294X, “Information and neural dynamics in the perception of musical structure”. The first author was further funded by Lrn2Cre8 ConCreTe, and the second author was funded by CREAM. The projects Lrn2Cre8 and ConCreTe acknowledge the financial support of the Future and Emerging Technologies (FET) program within the Seventh Framework Program for Research of the European Commission, under FET grant numbers 610859 and 611733, respectively. The CREAM project has been funded with support from the European Commission under Grant Agreement no. 612022. This publication reflects the views only of the authors, and the European Commission cannot be held responsible for any use which may be made of the information contained thereinen_US
dc.format.extent540 - ?en_US
dc.languageengen_US
dc.language.isoenen_US
dc.relation.ispartofFront Hum Neuroscien_US
dc.rightsCC-BY.
dc.subjectcomputational modelingen_US
dc.subjectcreativityen_US
dc.subjectmethodologyen_US
dc.subjectneuroscienceen_US
dc.subjectpsychologyen_US
dc.titleMind the gap: an attempt to bridge computational and neuroscientific approaches to study creativity.en_US
dc.typeArticle
dc.rights.holder© 2014 Wiggins and Bhattacharya
dc.identifier.doi10.3389/fnhum.2014.00540en_US
pubs.author-urlhttps://www.ncbi.nlm.nih.gov/pubmed/25104930en_US
pubs.notesNot knownen_US
pubs.publication-statusPublished onlineen_US
pubs.volume8en_US
dcterms.dateAccepted2014-07-02en_US
qmul.funderConcept Creation Technology (ConCreTe)::European Commissionen_US
qmul.funderConcept Creation Technology (ConCreTe)::European Commissionen_US
qmul.funderConcept Creation Technology (ConCreTe)::European Commissionen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record