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dc.contributor.authorThomasson, Sarah
dc.date.accessioned2015-12-16T15:37:19Z
dc.date.available2015-12-16T15:37:19Z
dc.date.issued2015-10-13
dc.date.submitted2015-12-16T12:25:54.032Z
dc.identifier.citationThomasson, S. 2015. Producing the Festival City: Place Myths and the Festivals of Adelaide and Edinburgh. Queen Mary University of Londonen_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/9868
dc.description.abstractThe Edinburgh International Festival (EIF) and the Adelaide Festival, and their associated Fringe Festivals, are large international multi-­‐arts events that focus on artistic excellence and annually imbue their host cities with month-­‐long festive atmospheres. They are also mobilised within tourism campaigns and urban governance strategies to promote these cities as great places to live, work, and visit. In an era of festivalisation, in which festivals have become a popular urban entrepreneurial strategy to promote economic growth, foster social cohesion and civic pride,and advertise positive images of the city, these festivals give Adelaide and Edinburgh a competitive advantage by underwriting their cultural, creative, and cosmopolitan credentials. I argue, however, that beyond a brand identity, these events provide the dominant ‘set of core images’ (Shields 1991, p. 60), or place myth, that is widely held and circulated about both places and characterises them as Festival Cities. This Festival City place myth has had important long-­‐term cultural effects beyond its instrumentalisation within place promotion and creative cities discourses and is contested by different groups. This study therefore combines cultural geography and theatre and performance studies methodologies to explore how these festivals are necessarily shaped and produced by their host cities, and conversely, how the festivals materially and discursively produce the city in turn. By analysing the festivals of Adelaide and Edinburgh as theatrical events that can be read as performances of the city, I interrogate their conditions of production and reception in order to highlight the competing agendas involved and to contribute to understandings of place in performance. A detailed, comparative analysis of similar events in two diverse geographic, cultural, and socio-­‐political locations, moreover, reveals how global trends intersect with local conditions and highlights the contribution of these events, which were once rare but are now ubiquitous, to the social, cultural, and political life of cities.
dc.description.sponsorshipCollege studentship from Queen Mary University of London & the Postgraduate Research Funden_US
dc.language.isoenen_US
dc.publisherQueen Mary University of Londonen_US
dc.subjectFestivalsen_US
dc.subjectCultural geographyen_US
dc.subjectPerformance Studiesen_US
dc.titleProducing the Festival City: Place Myths and the Festivals of Adelaide and Edinburghen_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


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