| dc.contributor.author | KUHN, A | |
| dc.contributor.editor | Egan, K | |
| dc.contributor.editor | Smith, MI | |
| dc.contributor.editor | Terrill, J | |
| dc.date.accessioned | 2023-10-16T14:06:37Z | |
| dc.date.available | 2023-10-16T14:06:37Z | |
| dc.date.issued | 2022 | |
| dc.identifier.isbn | 147447781X | |
| dc.identifier.isbn | 9781474477819 | |
| dc.identifier.other | 2 | |
| dc.identifier.other | 2 | |
| dc.identifier.other | 2 | |
| dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/91324 | |
| dc.description.abstract | In an anthology that considers the challenges of historical audience research in the field of screen studies, this chapter traces a conceptual and methodological trajectory in the project 'Cinema Culture in 1930s Britain' , which began in the 1990s and is now continuing as 'Cinema Memory and the Digital Archive' (AHRC), from a broadly cultural-historical approach towards a focus on cultural memory. | en_US |
| dc.format.extent | 34 - 48 (15) | |
| dc.publisher | Edinburgh University Press | en_US |
| dc.relation.ispartof | RESEARCHING HISTORICAL SCREEN AUDIENCES. | |
| dc.title | From cinema culture to cinema memory: a conceptual and methodological trajectory | en_US |
| dc.type | Book chapter | en_US |
| pubs.author-url | https://www.qmul.ac.uk/sllf/film-studies/people/academic/profiles/kuhn.html | en_US |
| pubs.notes | Not known | en_US |
| pubs.place-of-publication | Edinburgh | en_US |
| qmul.funder | Cinema Memory and the Digital Archive: 1930s Britain and Beyond::Arts and Humanities Research Council | en_US |
