• L’acteur: un travailleur des studios comme un autre? Place des acteurs dans le système des studios français des années 1930 

  Lefeuvre, M (2021-03-01)

• Film studies and the experimental method 

  Slugan, M (Amsterdam University Press, 2020-12-11)

• The use and abuse of cinema: German legacies from the Weimar era to the present 

  Slugan, M (2016-10-07)

  This is an original manuscript of an article published by Taylor & Francis in Studies in European Cinema on 07 Oct 2016, available online: https://doi.org/10.1080/17411548.2016.1234834.

• Early Cinema in Asia 

  Slugan, M (2018-01-01)

• Introduction: Film Studies and Analytic Aesthetics in Dialogue 

  Slugan, M; Terrone, E (2020-01-01)

• Robert K. Weninger, The German Joyce 

  Slugan, M (2018-02-01)

  This is an Accepted Manuscript of an article published by Edinburgh University Press in Comparative Critical Studies. The Version of Record is available online at: https://doi.org/10.3366/ccs.2018.0264

• 'The brunette with the legs': the significance of footwear in Marnie 

  Bolton, L (Edinburgh University Press, 2020)

  This book anaylses their significnace through a range of approaches drawn from the fields of Film Studies, Philosophy, Cultural History, Fashion, Cultural Studies and Politics.

• Quest narratives: the cinematic experience, filmic space, and transitional phenomena 

  KUHN, A

• Interrogating Patriarchy: Transgressive Discourses of ‘F-Rated’ Independent Hindi Films 

  Devasundaram, AI (2020-01-01)

  © 2020 Screen South Asia Trust. Since its inception at the Bath Film Festival 2014, the ‘F-Rating’ has been adopted as a yardstick to foster equitable representation of women in film. The rise of a new sub-genre of Hindi ...

• Why not look at animals? 

  Pick, A (Amsterdam University Press, 2015-06-12)

  There’re fifteen remote-sensing cameras in my home range, plus infrared counters and barbed-wire snags to collect my hair. I suppose it’s like most of the surveillance that goes on today – it’s partly there to protect you, ...

• The Autistic Gesture: Film as Neurological Training 

  Harbord, J (Amsterdam University Press, 2019-12-10)

  This article explores the co-constitution of autism in the twentieth century with a normative concept of gesture and body language. As an archive of bodies in movement, cinema provides a database of gestures, their changing ...

• The film narrator and the early American screenwriting manuals 

  Slugan, M (2019-06-09)

  © 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. Some of the most influential accounts of the transition from the cinema of attractions to narrative cinema have relied heavily on the figure of the film ...

• Introduction: Film-Philosophy and Stardom 

  Bolton, L; Bolton, L (2019-06-01)

• The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe 

  Slugan, M

• Fiction in Central and Eastern European Film Theory and Practice 

  Bareis, JA; Slugan, M

• Introducing Fiction in Central and Eastern European Film Theory and Practice 

  Slugan, M; Bareis, JA

• Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory 

  Slugan, M

• Beautiful penitent whore: the desecrated celebrity of Mary Magdalene 

  Bolton, L (Taylor & Francis (Routledge), 2020-03-01)

• Film's Religious Algorithm 

  Pick, A (Edinburgh University Press, 2019-10-17)

  This article explores Simone Weil’s concept of ‘affliction’ and the black poetics of Saidiya Hartman and Fred Moten in relation to two nonfiction films: Artur Aristakisyan’s Palms (1993) and Forough Farrokhzad’s The House ...

• Ageless: Akerman's Avatars 

  Chamarette, J (Legenda, 2019-04-08)

  Chantal Akerman was 18 when she made her first film, Saute ma ville (1968). In it, her young body sings loudly and tunelessly, while she eats pasta, covers her shoes, socks, and legs in thick black boot polish, floods the ...

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