• The Autistic Gesture: Film as Neurological Training 

  Harbord, J (Amsterdam University Press, 2019-12-10)

  This article explores the co-constitution of autism in the twentieth century with a normative concept of gesture and body language. As an archive of bodies in movement, cinema provides a database of gestures, their changing ...

• The film narrator and the early American screenwriting manuals 

  Slugan, M (2019-06-09)

  © 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. Some of the most influential accounts of the transition from the cinema of attractions to narrative cinema have relied heavily on the figure of the film ...

• Introduction: Film-Philosophy and Stardom 

  Bolton, L (Edinburgh University Press, 2019-06)

• The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe 

  Slugan, M

• Fiction in Central and Eastern European Film Theory and Practice 

  Bareis, JA; Slugan, M

• Introducing Fiction in Central and Eastern European Film Theory and Practice 

  Slugan, M; Bareis, JA

• Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory 

  Slugan, M

• Beautiful penitent whore: the desecrated celebrity of Mary Magdalene 

  Bolton, L (Taylor & Francis (Routledge), 2020-03-01)

• Film's Religious Algorithm 

  Pick, A (Edinburgh University Press, 2019-10-17)

  This article explores Simone Weil’s concept of ‘affliction’ and the black poetics of Saidiya Hartman and Fred Moten in relation to two nonfiction films: Artur Aristakisyan’s Palms (1993) and Forough Farrokhzad’s The House ...

• Ageless: Akerman's Avatars 

  Chamarette, J (Legenda, 2019-04-08)

  Chantal Akerman was 18 when she made her first film, Saute ma ville (1968). In it, her young body sings loudly and tunelessly, while she eats pasta, covers her shoes, socks, and legs in thick black boot polish, floods the ...

• Introduction (to special issue, 'Religion in Contemporary Thought and Film') 

  Saxton, E; Pick, A (Edinburgh University Press, 2019-11-01)

• Make Believe: Marie-José Mondzain and Cinema's Christian Economy 

  Saxton, E (Edinburgh University Press, 2019-11-01)

• Greta Gerwig's Gestures: Agamben in the Land of Stardom 

  HARBORD, JP (Open Humanities Press, 2019-08-01)

• Peace cinema: Religious Pacifism and Anti-war Sensibility in Friendly Persuasion (1956) 

  WESTWELL, G (Open Library of Humanities, 2019-05-23)

• Mapping Contemporary Cinema: blending critical pedagogy and research-based learning in undergraduate curriculum design 

  WESTWELL, G; INGLE, J (Taylor & Francis (Routledge), 2019-05-10)

• Contingency, time and event: An archaeological approach to the film festival 

  HARBORD, JP (Routledge, 2016-02-26)

• ASBESTOS: INSIDE AND OUTSIDE, TOXIC AND HAPTIC 

  LITVINTSEVA, S (Duke University Press, 2019)

• Film history, cultural memory, and the experience of cinema 

  KUHN, AF; Biltereyst, D (Routledge, 2019-02-18)

  The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and travelling exhibition to the multiplexes of today.

• War on the World: Ecological Inflections in the Films of Yervant Gianikian and Angela Ricci Lucchi 

  PICK, A (Amsterdam University Press, 2020)

• ‘Paradise,’ (Andrei Konchalovsky) 

  HICKS, JG (Academic Studies Press, forthcoming 2019, 2019-06-01)

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