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dc.contributor.authorJackson, Laura Ann
dc.date.accessioned2015-09-29T11:01:12Z
dc.date.available2015-09-29T11:01:12Z
dc.date.issued2014-09
dc.identifier.citationJackson, L.A. 2014. Representations of the Hysteric in Contemporary Women’s Writing in French. Queen Mary University of London.en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/8944
dc.descriptionPhDen_US
dc.description.abstractThis thesis explores how the celebratory figure of the hysteric as imagined by proponents of écriture féminine is developed and complicated in more recent representations of hysterical female bodies in contemporary women’s writing in French. With the aim of understanding the evolution of the hysteric from a traditionally negative embodiment of patriarchal parameters of femininity to a potentially revolutionary female figure, this thesis undertakes single-chapter studies of the most telling contemporary representations of hysterical bodies. The first chapter focuses on the physicality of Lorette Nobécourt’s writing in La Démangeaison (1994) and La Conversation (1998), and argues that the abject subject matter of the former coupled with the innovative and experimental form and style of the latter constitutes an almost physical performance of ‘madness’. The second chapter focuses on Marie Darrieussecq’s Truismes (1996) and argues that Darrieussecq’s hybrid narrator harnesses the anti-establishment carnival force of the hysteric in a shifting and grotesque body which forms the epitome of all that threatens order. The final two chapters focus on anorexia as a contemporary equivalence of Victorian hysteria. The first of these deals with Petite (1994) by Geneviève Brisac and Thornytorinx (2005) by Camille de Peretti and examines how these writers recreate the fragmentation of the anorexic self through a realist, performative ‘rhetoric of anorexia’. The second deals with Amélie Nothomb’s Robert des noms propres (2002), Biographie de la faim (2004) and Métaphysique des tubes (2000), and argues that Nothomb privileges a disembodied aesthetic that presents a masculine fantasy of the female body which all but erases the feminine. Ultimately, this thesis seeks to discover how and why selected contemporary female authors choose to engage with – and reject – 1970s models in which writing by women was presented as a means of finding one’s own voice, as well as a platform for politically significant action. It argues that new configurations of the hysteric nevertheless achieve a certain social and political impact.en_US
dc.description.sponsorshipIsle of Man Board of Educationen_US
dc.language.isoenen_US
dc.publisherQueen Mary University of Londonen_US
dc.subjectFrench literatureen_US
dc.subjectFrench Women writersen_US
dc.subjectHysteria in literatureen_US
dc.subjectFeminismen_US
dc.titleRepresentations of the Hysteric in Contemporary Women’s Writing in French.en_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


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