dc.contributor.author | Foley, Lawrence | |
dc.date.accessioned | 2015-09-28T11:13:56Z | |
dc.date.available | 2015-09-28T11:13:56Z | |
dc.date.issued | 2014-09 | |
dc.identifier.citation | Foley, L., 2014. The Last Serious Thing: Modernist Responses to the Bullfight. Queen Mary university of London. | en_US |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/8903 | |
dc.description | PhD | en_US |
dc.description.abstract | This thesis investigates the ways in which literary and artistic modernism interpreted the Spanish
institution of the corrida, or the bullfight. The sheer volume of modernist intellectuals who engaged
with the corrida is startling. From Joyce to Picasso, Stein to Hemingway, Leiris to Lawrence, the
bullfight provided inspiration to so many of the writers and artists of canonical modernism. Indeed,
the relevance of the corrida to modernist intellectuals is perhaps captured best by Michel Leiris’s
lucid metaphor of the bullfight as a mirror revealing ‘certain dark parts of ourselves’. In other words,
in addition to providing the content of literature of the early twentieth century, many of the writers
we identify as modernist used the corrida in a metaphorical capacity too. In light of this, it seems
significant that the peak of modern interest in the corrida occurred in the context of a cultural crisis
in western civilization in the first half of the twentieth century. Thus the key questions that this
thesis seeks to address are as follows: why did the modernist gaze rest so intently upon the corrida?
Why did so many European intellectuals cling to bullfighting and insist upon its enduring relevance
given the apparent paradox between its own lack of adaptation to modern conditions and the very
‘newness’ that modernism championed? To what extent did the corrida act as a mirror to many of
the cultural tensions problems addressed by modernism? How did modernism’s engagement with
bullfighting, and the easy manner in which Hemingway’s body of work came to stand alone for that
rich engagement, affect subsequent works that focussed on the bullring? These phenomena are
examined in the context of the anomic cultural landscape of the era, taking into consideration the
artistic, sexual and archaeological revolutions that informed and affected writers of the time. | en_US |
dc.description.sponsorship | Queen Mary University of London | en_US |
dc.language.iso | en | en_US |
dc.publisher | Queen Mary University of London | en_US |
dc.subject | Modernist literature | en_US |
dc.subject | Bullfighting | en_US |
dc.subject | English literature | en_US |
dc.subject | Spanish culture | en_US |
dc.title | The Last Serious Thing: Modernist Responses to the Bullfight. | en_US |
dc.type | Thesis | en_US |
dc.rights.holder | The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author | |