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dc.contributor.authorMileva, Men_US
dc.contributor.authorLavan, Nen_US
dc.date.accessioned2023-03-03T13:41:54Z
dc.date.issued2023en_US
dc.identifier.issn0096-3445en_US
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/84776
dc.format.extent1539 - 1550en_US
dc.relation.ispartofJOURNAL OF EXPERIMENTAL PSYCHOLOGY-GENERALen_US
dc.rightsThis work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). This license permits copying and redistributing the work in any medium or format, as well as adapting the material for any purpose, even commercially.
dc.rightsAttribution 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.subjectfirst impressionsen_US
dc.subjecttime courseen_US
dc.subjectvoiceen_US
dc.subjecttrustworthinessen_US
dc.subjectdominanceen_US
dc.subjectattractivenessen_US
dc.subjectgating tasken_US
dc.titleTrait Impressions From Voices Are Formed Rapidly Within 400 ms of Exposureen_US
dc.typeArticle
dc.rights.holder© 2023 The Author(s). Published by American Psychological Association
dc.identifier.doi10.1037/xge0001325en_US
pubs.author-urlhttps://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000925890400001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=612ae0d773dcbdba3046f6df545e9f6aen_US
pubs.issue6en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.volume152en_US
rioxxterms.funderDefault funderen_US
rioxxterms.identifier.projectDefault projecten_US
qmul.funderPerceiving people from voices::Wellcome Trusten_US


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This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). This license permits copying and redistributing the work in any medium or format, as well as adapting the material for any purpose, even commercially.
Except where otherwise noted, this item's license is described as This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). This license permits copying and redistributing the work in any medium or format, as well as adapting the material for any purpose, even commercially.