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dc.contributor.authorSlugan, Men_US
dc.date.accessioned2021-06-16T14:06:08Z
dc.date.available2021-06-16T14:06:08Z
dc.date.issued2020-01-01en_US
dc.identifier.issn0351-4706en_US
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/72589
dc.description.abstractThe paper offers a twofold intervention in the debates about the paradox of fiction. First, it argues that too much emphasis has been placed on the paradox’ epistemological aspect. This has led to a neglect of its ethical dimension. Specifically, little has been said about the ethical issues of regularly caring for fictional entities while exhibiting comparatively far less concern for real-life fellow men and women. Second, the essay argues that it is often the case that it is real-life structures rather than fictional entities that cause emotions. In the case of horror, for example, we are not afraid of the fictional monster but of an off possibility that something like this might exist in the real world. Importantly, the proposal differs from the counterfactualist approaches because it allows that fictional entities may cause emotions. Specifically, emotions which do not have clearly defined accompanying typical actions, such as sympathy and antipathy.en_US
dc.format.extent685 - 697en_US
dc.relation.ispartofFilozofska Istrazivanjaen_US
dc.titleFictional emotions and the moral dimension of the paradox of fiction in cinemaen_US
dc.typeArticle
dc.identifier.doi10.21464/fi40402en_US
pubs.issue4en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.volume40en_US


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