| dc.contributor.author | Inchley, M | |
| dc.date.accessioned | 2021-05-11T14:49:17Z | |
| dc.date.available | 2021-02-01 | |
| dc.date.available | 2021-05-11T14:49:17Z | |
| dc.identifier.issn | 1026-7166 | |
| dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/71729 | |
| dc.publisher | Taylor & Francis (Routledge) | en_US |
| dc.relation.ispartof | Contemporary Theatre Review | |
| dc.rights | This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. | |
| dc.title | '"It's Alive": Towards a Monsterized Theatre with Beatbox Academy's Frankenstein: How to Make a Monster (2018-)' | en_US |
| dc.type | Article | en_US |
| dc.rights.holder | © 2021 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. | |
| pubs.notes | Not known | en_US |
| pubs.publication-status | Accepted | en_US |
| dcterms.dateAccepted | 2021-02-01 | |
