| dc.contributor.author | Inchley, M | en_US |
| dc.date.accessioned | 2021-05-06T10:57:42Z | |
| dc.date.available | 2021-04-27 | en_US |
| dc.date.issued | 2022 | en_US |
| dc.identifier.issn | 1048-6801 | en_US |
| dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/71639 | |
| dc.format.extent | 162 - 176 | en_US |
| dc.relation.ispartof | CONTEMPORARY THEATRE REVIEW | en_US |
| dc.rights | This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. | |
| dc.subject | music | en_US |
| dc.subject | working-class women | en_US |
| dc.subject | gig theatre | en_US |
| dc.subject | becoming | en_US |
| dc.subject | choir | en_US |
| dc.title | 'Mr. Blue Sky' in the West End: Becoming Musical in Our Ladies of Perpetual Succour | en_US |
| dc.type | Article | |
| dc.rights.holder | © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. | |
| dc.identifier.doi | 10.1080/10486801.2022.2047032 | en_US |
| pubs.author-url | https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000843401300004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=612ae0d773dcbdba3046f6df545e9f6a | en_US |
| pubs.issue | 2 | en_US |
| pubs.notes | Not known | en_US |
| pubs.publication-status | Published | en_US |
| pubs.volume | 32 | en_US |
