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An Exploration of Familiarisation and Defamiliarisation in Alexander Pope's The Rape of the Lock, Johnathon Swift's ‘The Lady's Dressing Room’, and Eliza Haywood's Fantomina

dc.contributor.authorBegum, Fahima
dc.date.accessioned2020-12-09T09:33:38Z
dc.date.available2020-12-09T09:33:38Z
dc.date.issued2020
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/69142
dc.language.isoenen_US
dc.publisherSchool of English and Drama – Queen Mary, University of Londonen_US
dc.rightsAttribution-NonCommercial 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/*
dc.titleAn Exploration of Familiarisation and Defamiliarisation in Alexander Pope's The Rape of the Lock, Johnathon Swift's ‘The Lady's Dressing Room’, and Eliza Haywood's Fantominaen_US
dc.typeArticleen_US
dc.rights.holder© 2020, The Author(s)
dc.identifier.doi10.26494/WONDERER69142
rioxxterms.funderDefault funderen_US
rioxxterms.identifier.projectDefault projecten_US
rioxxterms.licenseref.urihttps://creativecommons.org/licenses/by-nc/4.0/en_US
rioxxterms.licenseref.startdate2020


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This item appears in the following Collection(s)

  • Wonderer [21]
    The Queen Mary Undergraduate Literary Journal
  • Wonderer Journal [17]
    The Queen Mary Undergraduate Literary Journal

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Attribution-NonCommercial 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial 4.0 International