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dc.contributor.authorLavan, Nen_US
dc.contributor.authorBurston, LFen_US
dc.contributor.authorLadwa, Pen_US
dc.contributor.authorMerriman, SEen_US
dc.contributor.authorKnight, Sen_US
dc.contributor.authorMcGettigan, Cen_US
dc.date.accessioned2020-10-29T11:55:37Z
dc.date.issued2019-09en_US
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/67854
dc.description.abstractThe human voice is a highly flexible instrument for self-expression, yet voice identity perception is largely studied using controlled speech recordings. Using two voice-sorting tasks with naturally varying stimuli, we compared the performance of listeners who were familiar and unfamiliar with the TV show Breaking Bad. Listeners organised audio clips of speech with (1) low-expressiveness and (2) high-expressiveness into perceived identities. We predicted that increased expressiveness (e.g., shouting, strained voice) would significantly impair performance. Overall, while unfamiliar listeners were less able to generalise identity across exemplars, the two groups performed equivalently well when telling voices apart when dealing with low-expressiveness stimuli. However, high vocal expressiveness significantly impaired telling apart in both the groups: this led to increased misidentifications, where sounds from one character were assigned to the other. These misidentifications were highly consistent for familiar listeners but less consistent for unfamiliar listeners. Our data suggest that vocal flexibility has powerful effects on identity perception, where changes in the acoustic properties of vocal signals introduced by expressiveness lead to effects apparent in familiar and unfamiliar listeners alike. At the same time, expressiveness appears to have affected other aspects of voice identity processing selectively in one listener group but not the other, thus revealing complex interactions of stimulus properties and listener characteristics (i.e., familiarity) in identity processing.en_US
dc.format.extent2240 - 2248en_US
dc.languageengen_US
dc.relation.ispartofQ J Exp Psychol (Hove)en_US
dc.rightsThis is a pre-copyedited, author-produced version of an article accepted for publication in Quarterly Journal of Experimental Psychology following peer review. The version of record is available https://journals.sagepub.com/doi/10.1177/1747021819836890
dc.subjectWithin-person variabilityen_US
dc.subjectexpressivenessen_US
dc.subjectsorting tasken_US
dc.subjectvoice identityen_US
dc.subjectAdulten_US
dc.subjectAuditory Perceptionen_US
dc.subjectConcept Formationen_US
dc.subjectFemaleen_US
dc.subjectHumansen_US
dc.subjectMaleen_US
dc.subjectRecognition, Psychologyen_US
dc.subjectSocial Perceptionen_US
dc.subjectVerbal Behavioren_US
dc.subjectVoiceen_US
dc.subjectYoung Adulten_US
dc.titleBreaking voice identity perception: Expressive voices are more confusable for listeners.en_US
dc.typeArticle
dc.rights.holder© 2019 by Experimental Psychology Society
dc.identifier.doi10.1177/1747021819836890en_US
pubs.author-urlhttps://www.ncbi.nlm.nih.gov/pubmed/30808271en_US
pubs.issue9en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.volume72en_US
rioxxterms.funderDefault funderen_US
rioxxterms.identifier.projectDefault projecten_US


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