dc.contributor.author | Inchley, M | en_US |
dc.date.accessioned | 2020-09-10T14:44:38Z | |
dc.date.available | 2020-04-28 | en_US |
dc.identifier.issn | 1026-7166 | en_US |
dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/66954 | |
dc.language.iso | en | en_US |
dc.publisher | Taylor & Francis (Routledge) | en_US |
dc.relation.ispartof | Contemporary Theatre Review | en_US |
dc.subject | youth theatre | en_US |
dc.subject | Conrad Murray | en_US |
dc.subject | Battersea Arts Centre | en_US |
dc.subject | working-class | en_US |
dc.title | 'Why are we doing this and who is it for?': youth theatre conversations with Liz Moreton and Conrad Murray at Battersea Arts Centre | en_US |
dc.type | Article | |
dc.identifier.doi | 10.1080/10486801.2020.1762585 | en_US |
pubs.notes | Not known | en_US |
pubs.publication-status | In preparation | en_US |
dcterms.dateAccepted | 2020-04-28 | en_US |
rioxxterms.funder | Default funder | en_US |
rioxxterms.identifier.project | Default project | en_US |
qmul.funder | The Verbatim Formula: Creative Practice for Young People in Twenty-first Century UK Care::Arts and Humanities Research Council | en_US |