dc.contributor.author | Slugan, M | en_US |
dc.date.accessioned | 2019-12-06T09:41:45Z | |
dc.date.available | 2019-04-08 | en_US |
dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/61839 | |
dc.format.extent | 13 - 26 (14) | en_US |
dc.language.iso | en | en_US |
dc.relation.ispartof | Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe | en_US |
dc.rights | CC BY | |
dc.rights | Attribution 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/us/ | * |
dc.title | Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory | en_US |
dc.type | Article | |
dc.identifier.doi | 10.17892/app.2019.0008.161 | en_US |
pubs.issue | 8 | en_US |
pubs.notes | Not known | en_US |
pubs.publication-status | Published online | en_US |
dcterms.dateAccepted | 2019-04-08 | en_US |
rioxxterms.funder | Default funder | en_US |
rioxxterms.identifier.project | Default project | en_US |
qmul.funder | Marie Skłodowska-Curie Action Individual Fellowship::European Commission | en_US |