| dc.contributor.author | KUHN, AF | en_US |
| dc.date.accessioned | 2013-08-13T14:07:00Z | |
| dc.date.issued | 2013 | en_US |
| dc.identifier.other | DOI: 10.1353/fih.2013.0001 | |
| dc.identifier.other | DOI: 10.1353/fih.2013.0001 | |
| dc.identifier.other | DOI: 10.1353/fih.2013.0001 | |
| dc.identifier.other | DOI: 10.1353/fih.2013.0001 | en_US |
| dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/4301 | |
| dc.description.abstract | Considered in the context of revisionist film history, this essay draws on Production Code Administration (PCA) documents and studio story files to look at how Dr. Ehrlich’s Magic Bullet, a 1940 Warner Bros. biopic about Paul Ehrlich—German Jewish medical scientist and pioneer in treating sexually transmitted diseases—secured the approval of the PCA in the face of a prohibition on VD propaganda films. | en_US |
| dc.format.extent | 130 - 137 (7) | en_US |
| dc.publisher | Indiana University Press | en_US |
| dc.relation.ispartof | Film History: an international journal | en_US |
| dc.title | VD Propaganda, Dr. Ehrlich's Magic Bullet, and the Production Code | en_US |
| dc.type | Article | |
| dc.rights.holder | Copyright ©2013 Project MUSE | |
| pubs.issue | 1-2 | en_US |
| pubs.notes | Not known | en_US |
| pubs.publication-status | Published | en_US |
| pubs.volume | 25 | en_US |
