Browsing Film Studies by Author "Slugan, M"
Now showing items 1-20 of 24
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Book Reviews
Willemsen, S; Slugan, M; Weissmann, E; Bolton, L (2021-12-01) -
Changing Minds: Fiction, Beliefs, and Emotion
Slugan, M (Legenda, 2023-01-09) -
Early Cinema in Asia
Slugan, M (2018-01-01) -
Embodying Meaning Visually: From Perceptual Dynamics to Motion Kinematics
Coegnarts, M; Slugan, M (2022) -
Fiction as Challenge to Text-Oriented Film Studies
Slugan, MFiction film remains the privileged focus of text-oriented film studies despite the growing interest in other film forms. Fiction as a concept also organizes the field’s key taxonomy – fiction v. nonfiction – yet little ... -
Fiction in Central and Eastern European Film Theory and Practice
Bareis, JA; Slugan, M -
Fiction, Knowledge and Cinematic Realism
Slugan, M -
The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation
Slugan, M; Terrone, E (2021-01-01) -
Fictional emotions and the moral dimension of the paradox of fiction in cinema
Slugan, M (2020-01-01)The paper offers a twofold intervention in the debates about the paradox of fiction. First, it argues that too much emphasis has been placed on the paradox’ epistemological aspect. This has led to a neglect of its ethical ... -
The film narrator and the early American screenwriting manuals
Slugan, M (2019-06-09)© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. Some of the most influential accounts of the transition from the cinema of attractions to narrative cinema have relied heavily on the figure of the film ... -
Film studies and the experimental method
Slugan, M (Amsterdam University Press, 2020-12-11) -
Introducing Fiction in Central and Eastern European Film Theory and Practice
Slugan, M; Bareis, JA -
Introducing pandemic cinema in central and eastern europe
Slugan, M (2021-04-26)Although movies representing pandemics can be tracked at least to Die Pest in Florenz/The Pest of Florence (Otto Rippert, 1919, Germany), discussion of pandemic movies as a (sub)genre of its own are quite recent. Moreover, ... -
Introduction: Film Studies and Analytic Aesthetics in Dialogue
Slugan, M; Terrone, E (2020-01-01) -
Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing
Slugan, M (2016-07-02)This article investigates Walter Benjamin’s influential generalization that the effects of cinema are akin to the hyper-stimulating experience of modernity. More specifically, I focus on his oft-cited 1935/36 claim that ... -
Melodrama of the Unknown Woman Lost in Space
Slugan, M (Oxford University Press (OUP), 2023-03-27) -
Robert K. Weninger, The German Joyce
Slugan, M (2018-02-01)This is an Accepted Manuscript of an article published by Edinburgh University Press in Comparative Critical Studies. The Version of Record is available online at: https://doi.org/10.3366/ccs.2018.0264 -
Taking bazin literally
Slugan, M (2017-01-01)This article argues against the standard readings of Bazin's seminal essay "The Ontology of the Photographic Image," which are based on Charles S. Peirce's account of indexicality but for reasons distinct from recent ... -
Textualism, extratextualism, and the fiction/nonfiction distinction in documentary studies
Slugan, M (2021-01-01)This article critiques existing textualist and extratextualist (intentionalist and reception-driven) approaches to capturing the ordinary understanding of the fiction/nonfiction distinction in philosophical and film ...