• What drives abnormal returns of stock markets in wartime? Evidence from 17 invasions 

  Hoffmann, V; Huynh, LDT; Wang, M (Elsevier BV, 2025-01)

• Compounding crises of social reproduction: Microfinance, over-indebtedness and the COVID-19 pandemic 

  Brickell, K; Picchioni, F; Natarajan, N; Guermond, V; Parsons, L; Zanello, G; Bateman, M (Elsevier BV, 2020-12)

• Contesting the financialisation of remittances: Repertoires of reluctance, refusal and dissent in Ghana and Senegal 

  Guermond, V (SAGE Publications, 2022-06)

  <jats:p> This article engages with a global migration-development agenda that aims to harness the development potential of remittances by incorporating remittance flows and households into global finance. Drawing upon ...

• Challenging the financial inclusion-decent work nexus: evidence from Cambodia’s over-indebted internal migrants 

  Natarajan, N; Brickell, K; Guermond, V; Lawreniuk, S; Parsons, L (Springer Nature, 2021-09)

• Marketisation as financialisation in the making? The construction of remittance markets in Senegal 

  Guermond, V (Elsevier, 2020-12)

• COVID-19 and the Unequalizing Infrastructures of Financial Inclusion in Tamil Nadu. 

  Guérin, I; Guermond, V; Joseph, N; Natarajan, N; Venkatasubramanian, G (2021-07)

  This article discusses the impact of the COVID-19 pandemic on microfinance borrowers in Tamil Nadu, India. Through an examination of the social and financial infrastructures underpinning inclusive finance, the article ...

• Whose money? Digital remittances, mobile money and fintech in Ghana 

  Guermond, V (Taylor & Francis, 2022-07-04)

• The color of money at the financial frontier 

  Alami, I; Guermond, V (Taylor & Francis, 2023-05-04)

• Replenishing Geographical Thinking on Depletion through and of Social Reproduction 

  Guermond, V; Brickell, K; Natarajan, N

• Sick of Debt: How over-indebtedness is hampering health in rural Cambodia. 

  Iskander, D; Picchioni, F; Zanello, G; Guermond, V; Brickell, K (Elsevier, 2025-01)

• Remittance-scapes: The contested geographies of remittance management 

  Guermond, V (SAGE Publications, 2022-04)

• The Parenthood Penalty in Creative Occupations: How the Covid-19 Pandemic Made Existing Inequalities Worse 

  Florisson, R (SAGE Publications, 2025-01-31)

  Creative occupations are well-known for inequalities and exclusions. This article focuses on one such excluded group—creative workers who are the parents of young children—to examine the impact of the pandemic on their ...

• Using Serious Games for Learning Business Ethics: Exploring its Socio-Technical Enablers and Cross-Cultural Influences 

  Siala, H; Tajvidi, M; Wang, Y; Hajli, N; Richard, M-O; Brannan, M

  This article investigates the impact of socio-technical and cultural factors on business management students’ learning of ethical skills in a serious gaming environment. A survey study (n=302) was conducted with participants ...

• Research on Economic Inequality 

  Bandyopadhyay, S (2017-10)

• Explaining ethno-regional favouritism in Sub-Saharan Africa 

  Bandyopadhyay, S; Green, E (Elsevier, 2025-01-08)

  A burgeoning literature on ethno-regional favouritism in Sub-Saharan Africa has found that Presidents favour their co-ethnic kin in the provision of public and private goods. However, this scholarship has largely remained ...

• Co-creating Sustained Impact for Diversity and Inclusion Engaged Marketing 

  N.N. Cross, S; Galalae, C; Licsandru, TC; Martín Ruiz, V; Cui, CC; Mari, C; Vorster, L; Yoruk, I; Johnson, E; Kearney, S

• Making Home in a Digitized, Global and Neoliberal Society 

  Sharifonnasabi, Z; Bardhi, F; Mimoun, L; Association for Consumer Research Conference 2024 Paris (2024-09)

• Consumer preferences for the visual presentation of non-fungible tokens (NFTs) of luxury products: The role of perceived authenticity 

  Kim, J; Cho, A; Lee, DC; Park, J; Kim, A; Jhang, J; Kim, C (2025-01-01)

  Non-fungible tokens (NFTs) are increasingly used to safeguard luxury products from counterfeits. Despite their increasing adoption, limited research has investigated how brands should communicate the use of NFTs—a novel ...

• The academic Great Gatsby Curve. 

  Sun, Y; Caccioli, F; Li, X; Livan, G (2024-08)

  The Great Gatsby Curve measures the relationship between income inequality and intergenerational income persistence. By using genealogical data of over 245 000 mentor-mentee pairs and their academic publications from 22 ...

• BLOOM: A 176B-Parameter Open-Access Multilingual Language Model 

  BigScience Workshop: Teven Le Scao and Angela Fan and Christopher Akiki and Ellie Pavlick and Suzana Ilić and Daniel Hesslow and Roman Castagné and Alexandra Sasha Luccioni and François Yvon and Matthias Gallé and Jonathan Tow and Alexander M. Rush and Stella Biderman and Albert Webson and Pawan Sasanka Ammanamanchi and Thomas Wang and Benoît Sagot and Niklas Muennighoff and Albert Villanova del Moral and Olatunji Ruwase and Rachel Bawden and Stas Bekman and Angelina McMillan-Major and Iz Beltagy and Huu Nguyen and Lucile Saulnier and Samson Tan and Pedro Ortiz Suarez and Victor Sanh and Hugo Laurençon and Yacine Jernite and Julien Launay and Margaret Mitchell and Colin Raffel and Aaron Gokaslan and Adi Simhi and Aitor Soroa and Alham Fikri Aji and Amit Alfassy and Anna Rogers and Ariel Kreisberg Nitzav and Canwen Xu and Chenghao Mou and Chris Emezue and Christopher Klamm and Colin Leong and Daniel van Strien and David Ifeoluwa Adelani and Dragomir Radev and Eduardo González Ponferrada and Efrat Levkovizh and Ethan Kim and Eyal Bar Natan and Francesco De Toni and Gérard Dupont and Germán Kruszewski and Giada Pistilli and Hady Elsahar and Hamza Benyamina and Hieu Tran and Ian Yu and Idris Abdulmumin and Isaac Johnson and Itziar Gonzalez-Dios and Javier de la Rosa and Jenny Chim and Jesse Dodge and Jian Zhu and Jonathan Chang and Jörg Frohberg and Joseph Tobing and Joydeep Bhattacharjee and Khalid Almubarak and Kimbo Chen and Kyle Lo and Leandro Von Werra and Leon Weber and Long Phan and Loubna Ben allal and Ludovic Tanguy and Manan Dey and Manuel Romero Muñoz and Maraim Masoud and María Grandury and Mario Šaško and Max Huang and Maximin Coavoux and Mayank Singh and Mike Tian-Jian Jiang and Minh Chien Vu and Mohammad A. Jauhar and Mustafa Ghaleb and Nishant Subramani and Nora Kassner and Nurulaqilla Khamis and Olivier Nguyen and Omar Espejel and Ona de Gibert and Paulo Villegas and Peter Henderson and Pierre Colombo and Priscilla Amuok and Quentin Lhoest and Rheza Harliman and Rishi Bommasani and Roberto Luis López and Rui Ribeiro and Salomey Osei and Sampo Pyysalo and Sebastian Nagel and Shamik Bose and Shamsuddeen Hassan Muhammad and Shanya Sharma and Shayne Longpre and Somaieh Nikpoor and Stanislav Silberberg and Suhas Pai and Sydney Zink and Tiago Timponi Torrent and Timo Schick and Tristan Thrush; Danchev, V; Vassilina Nikoulina and Veronika Laippala and Violette Lepercq and Vrinda Prabhu and Zaid Alyafeai and Zeerak Talat and Arun Raja and Benjamin Heinzerling and Chenglei Si and Davut Emre Taşar and Elizabeth Salesky and Sabrina J. Mielke and Wilson Y. Lee and Abheesht Sharma and Andrea Santilli and Antoine Chaffin and Arnaud Stiegler and Debajyoti Datta and Eliza Szczechla and Gunjan Chhablani and Han Wang and Harshit Pandey and Hendrik Strobelt and Jason Alan Fries and Jos Rozen and Leo Gao and Lintang Sutawika and M Saiful Bari and Maged S. Al-shaibani and Matteo Manica and Nihal Nayak and Ryan Teehan and Samuel Albanie and Sheng Shen and Srulik Ben-David and Stephen H. Bach and Taewoon Kim and Tali Bers and Thibault Fevry and Trishala Neeraj and Urmish Thakker and Vikas Raunak and Xiangru Tang and Zheng-Xin Yong and Zhiqing Sun and Shaked Brody and Yallow Uri and Hadar Tojarieh and Adam Roberts and Hyung Won Chung and Jaesung Tae and Jason Phang and Ofir Press and Conglong Li and Deepak Narayanan and Hatim Bourfoune and Jared Casper and Jeff Rasley and Max Ryabinin and Mayank Mishra and Minjia Zhang and Mohammad Shoeybi and Myriam Peyrounette and Nicolas Patry and Nouamane Tazi and Omar Sanseviero and Patrick von Platen and Pierre Cornette and Pierre François Lavallée and Rémi Lacroix and Samyam Rajbhandari and Sanchit Gandhi and Shaden Smith and Stéphane Requena and Suraj Patil and Tim Dettmers and Ahmed Baruwa and Amanpreet Singh and Anastasia Cheveleva and Anne-Laure Ligozat and Arjun Subramonian and Aurélie Névéol and Charles Lovering and Dan Garrette and Deepak Tunuguntla and Ehud Reiter and Ekaterina Taktasheva and Ekaterina Voloshina and Eli Bogdanov and Genta Indra Winata and Hailey Schoelkopf and Jan-Christoph Kalo and Jekaterina Novikova and Jessica Zosa Forde and Jordan Clive and Jungo Kasai and Ken Kawamura and Liam Hazan and Marine Carpuat and Miruna Clinciu and Najoung Kim and Newton Cheng and Oleg Serikov and Omer Antverg and Oskar van der Wal and Rui Zhang and Ruochen Zhang and Sebastian Gehrmann and Shachar Mirkin and Shani Pais and Tatiana Shavrina and Thomas Scialom and Tian Yun and Tomasz Limisiewicz and Verena Rieser and Vitaly Protasov and Vladislav Mikhailov and Yada Pruksachatkun and Yonatan Belinkov and Zachary Bamberger and Zdeněk Kasner and Alice Rueda and Amanda Pestana and Amir Feizpour and Ammar Khan and Amy Faranak and Ana Santos and Anthony Hevia and Antigona Unldreaj and Arash Aghagol and Arezoo Abdollahi and Aycha Tammour and Azadeh HajiHosseini and Bahareh Behroozi and Benjamin Ajibade and Bharat Saxena and Carlos Muñoz Ferrandis and Daniel McDuff and Danish Contractor and David Lansky and Davis David and Douwe Kiela and Duong A. Nguyen and Edward Tan and Emi Baylor and Ezinwanne Ozoani and Fatima Mirza and Frankline Ononiwu and Habib Rezanejad and Hessie Jones and Indrani Bhattacharya and Irene Solaiman and Irina Sedenko and Isar Nejadgholi and Jesse Passmore and Josh Seltzer and Julio Bonis Sanz and Livia Dutra and Mairon Samagaio and Maraim Elbadri and Margot Mieskes and Marissa Gerchick and Martha Akinlolu and Michael McKenna and Mike Qiu and Muhammed Ghauri and Mykola Burynok and Nafis Abrar and Nazneen Rajani and Nour Elkott and Nour Fahmy and Olanrewaju Samuel and Ran An and Rasmus Kromann and Ryan Hao and Samira Alizadeh and Sarmad Shubber and Silas Wang and Sourav Roy and Sylvain Viguier and Thanh Le and Tobi Oyebade and Trieu Le and Yoyo Yang and Zach Nguyen and Abhinav Ramesh Kashyap and Alfredo Palasciano and Alison Callahan and Anima Shukla and Antonio Miranda-Escalada and Ayush Singh and Benjamin Beilharz and Bo Wang and Caio Brito and Chenxi Zhou and Chirag Jain and Chuxin Xu and Clémentine Fourrier and Daniel León Periñán and Daniel Molano and Dian Yu and Enrique Manjavacas and Fabio Barth and Florian Fuhrimann and Gabriel Altay and Giyaseddin Bayrak and Gully Burns and Helena U. Vrabec and Imane Bello and Ishani Dash and Jihyun Kang and John Giorgi and Jonas Golde and Jose David Posada and Karthik Rangasai Sivaraman and Lokesh Bulchandani and Lu Liu and Luisa Shinzato and Madeleine Hahn de Bykhovetz and Maiko Takeuchi and Marc Pàmies and Maria A Castillo and Marianna Nezhurina and Mario Sänger and Matthias Samwald and Michael Cullan and Michael Weinberg and Michiel De Wolf and Mina Mihaljcic and Minna Liu and Moritz Freidank and Myungsun Kang and Natasha Seelam and Nathan Dahlberg and Nicholas Michio Broad and Nikolaus Muellner and Pascale Fung and Patrick Haller and Ramya Chandrasekhar and Renata Eisenberg and Robert Martin and Rodrigo Canalli and Rosaline Su and Ruisi Su and Samuel Cahyawijaya and Samuele Garda and Shlok S Deshmukh and Shubhanshu Mishra and Sid Kiblawi and Simon Ott and Sinee Sang-aroonsiri and Srishti Kumar and Stefan Schweter and Sushil Bharati and Tanmay Laud and Théo Gigant and Tomoya Kainuma and Wojciech Kusa and Yanis Labrak and Yash Shailesh Bajaj and Yash Venkatraman and Yifan Xu and Yingxin Xu and Yu Xu and Zhe Tan and Zhongli Xie and Zifan Ye and Mathilde Bras and Younes Belkada and Thomas Wolf (2023-06-27)

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