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dc.contributor.authorMacCallum, RMen_US
dc.contributor.authorMAUCH, Men_US
dc.contributor.authorBurt, Aen_US
dc.contributor.authorLeroi, AMen_US
dc.date.accessioned2012-10-25T13:37:16Z
dc.date.accessioned2013-01-10T14:37:49Z
dc.date.issued2012-07-24en_US
dc.identifier.issn0027-8424en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/3102
dc.description.abstractMusic evolves as composers, performers, and consumers favor some musical variants over others. To investigate the role of consumer selection, we constructed a Darwinian music engine consisting of a population of short audio loops that sexually reproduce and mutate. This population evolved for 2,513 generations under the selective influence of 6,931 consumers who rated the loops’ aesthetic qualities. We found that the loops quickly evolved into music attributable, in part, to the evolution of aesthetically pleasing chords and rhythms. Later, however, evolution slowed. Applying the Price equation, a general description of evolutionary processes, we found that this stasis was mostly attributable to a decrease in the fidelity of transmission. Our experiment shows how cultural dynamics can be explained in terms of competing evolutionary forces.en_US
dc.format.extent12081 - 12086 (6)en_US
dc.relation.ispartofProceedings of the National Academy of Sciences of USAen_US
dc.relation.replaceshttp://qmro.qmul.ac.uk/jspui/handle/123456789/2868
dc.relation.replaces123456789/2868
dc.rightsCopyright © 2012 National Academy of Sciences
dc.titleEvolution of Music by Public Choiceen_US
dc.typeArticle
dc.identifier.doi10.1073/pnas.1203182109en_US
pubs.issue30en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.publisher-urlhttp://www.pnas.org/content/109/30/12081.full?sid=9fe1fc13-2263-4f89-918b-36499b6f8aeeen_US
pubs.volume109en_US


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