dc.contributor.author | Boase, Roger | |
dc.date.accessioned | 2017-11-28T14:19:10Z | |
dc.date.available | 2017-11-28T14:19:10Z | |
dc.date.issued | 1977 | |
dc.date.submitted | 2017-11-28T12:33:47.868Z | |
dc.identifier.citation | Boase, R. 1977. COURTLY LOVE AND THE SOCIAL BACKGROUND TO THE TROUBADOUR REVIVAL IN LATE MEDIEVAL SPAIN. Queen Mary University of London | en_US |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/28968 | |
dc.description | PhD | en_US |
dc.description.abstract | Thesis: Courtly Love was a comprehensive cultural phenomenon brought
about by changes in the social environment and influences from the Arab
world. The crisis of the aristocracy in fifteenth-century Spain was a
major determining factor in the revival of poetic themes and forms inspired
by this literary and sentimental ideology.
Oblectives: 1. To study the various trends in scholarship from the sixteenth
century to the present day so that the term 'Courtly Love' can be redefined
as a valid instrument for critical analysis; II. To investigate the socioeconomic
background to the revival of troubadour poetry and chivalric
idealism in late medieval Spain.
The study inquires into: -
I. The Origin and Meaning of Courtly Love. The theories are examined
chronologically and analytically. For purposes of analysis they are divided
into those concerned with the origins of amour courtois and those concerned
with the meaning and validity of the concept.
1. Chronological survey: this survey shows the extent to which opinions on
the medieval love lyric reflect contemporary literary fashions and political
ideas.
2., Theories of origin: include Chivalric-Matriarchal., Crypto-Catharg
Neoplatonic, Bernardine-Marianistg Spring Folk Ritual, Feudal-Sociological
and the Hispano-Arabic. The Hispano-Arabio theory stresses the impact of
Arab medical doctrines and Slid mysticism on European literature; the
Sociological theory attributes the emergence of the troubadour movement
to social and economic factors.
3. Theories of meaning: include the interpretation of Courtly Love as a
collective fantasy fulfilling a psychological function; as an example of
the play element in culture; as a figment of the imagination projected on
the Middle Ages by nineteenth-century writers and scholars.
II. Background to the Troubadour Revival. Courtly Love was from the start
an aristocratic phenomenon. A considerable number of the nine hundred
poets who flourished in the courts of Spain and Naples during the fifteenth
century were related by ties of kinship and dependence to a rebel
aristocracy, whose moral authority had been diminished by changes in the
art of war and in the structure of society. Many were court officials
Jewish conversos and the lesser landless sons of noble families. The rise
of the Castilian love lyric is linked with the prevalence of baronial
anarchy and with the rapid inflation of the titular nobility. It was a
conservative reaction to social crisis by the dominant minority.
1. The aristocratic theory of society: examines the theory of the three
estateat different forms of patronage, and the court as a centre of culture.
2* Historical background to the troubadour revival: outlines events during
the reign of the Trastamaran dynasty, and attempts to assess the
influence of personalities on cultural attitudes.
3. Documents: include decrees issued by Joan I of Aragon and his
successor Harti" extollling the benefits of the Gay Science. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Queen Mary University of London | en_US |
dc.rights | The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author | |
dc.subject | Courtly love | en_US |
dc.subject | Medieval Spain | en_US |
dc.subject | European and Arabic literature | en_US |
dc.subject | amatory verse | en_US |
dc.title | COURTLY LOVE AND THE SOCIAL BACKGROUND TO THE TROUBADOUR REVIVAL IN LATE MEDIEVAL SPAIN | en_US |
dc.type | Thesis | en_US |