Centre for Digital Music (C4DM): Recent submissions
Now showing items 161-180 of 210
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Musical timbre: bridging perception with semantics
(Queen Mary University of London, 2013)Musical timbre is a complex and multidimensional entity which provides information regarding the properties of a sound source (size, material, etc.). When it comes to music, however, timbre does not merely carry environmental ... -
Latency Performance for Real-Time Audio on BeagleBone Black
(2014)In this paper we present a set of tests aimed at evaluating the responsiveness of a BeagleBone Black board in real-time interactive audio applications. The default Angstrom Linux distribution was tested without modifying ... -
Design and use of a hackable digital instrument
(2014)This paper introduces the D-Box, a new digital musical instrument specifically designed to elicit unexpected creative uses and to support modification by the performer. Rather than taking a modular approach, the D-Box is ... -
Generality and specificity in the effects of musical expertise on perception and cognition.
(2015-04)Performing musicians invest thousands of hours becoming experts in a range of perceptual, attentional, and cognitive skills. The duration and intensity of musicians' training - far greater than that of most educational or ... -
The Audio Degradation Toolbox and its Application to Robustness Evaluation
(2013)We introduce the Audio Degradation Toolbox (ADT) for the controlled degradation of audio signals, and propose its usage as a means of evaluating and comparing the robustness of audio processing algorithms. Music recordings ... -
Predictive information in Gaussian processes with application to music analysis
(Springer Berlin Heidelberg, 2013-08-28)We describe an information-theoretic approach to the analysis of sequential data, which emphasises the predictive aspects of perception, and the dynamic process of forming and modifying expectations about an unfolding ...