Browsing School of Electronic Engineering and Computer Science by Author "Moffat, D"
Now showing items 1-20 of 22
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Approaches in Intelligent Music Production
Moffat, D; Sandler, M (MDPI AG, 2019-09-25)Music production technology has made few advancements over the past few decades. State-of-the-art approaches are based on traditional studio paradigms with new developments primarily focusing on digital modelling of analog ... -
An Automated Approach to the Application of Reverberation
Moffat, D; Sandler, M; 147th Audio Engineering Society Convention -
AUTOMATIC SUBGROUPING OF MULTITRACK AUDIO
Ronan, D; Gunes, H; Moffat, D; Reiss, JD (2015) -
Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models
Selfridge, R; Moffat, D; Avital, EJ; Reiss, JD (2018) -
AN EVALUATION OF AUDIO FEATURE EXTRACTION TOOLBOXES
Moffat, D; Ronan, D; Reiss, JD (2015) -
The Impact of Audio Effects Processing on the Perception of Brightness and Warmth
BROMHAM, G; Moffat, D; Barthet, M; Daneilsen, A; Fazekas, G; Audio Mostly (2019-09-17) -
Machine Learning Multitrack Gain Mixing of Drums
Moffat, D; Sandler, M; 147th Audio Engineering Society Convention -
Objective Evaluations of Synthesised Environmental Sounds
Moffat, D; Reiss, J; 21th International Conference on Digital Audio Effects (DAFx-18) (2018-09-04) -
Perceptual Evaluation of Synthesized Sound Effects
Moffat, D; Reiss, JD (2018-04) -
Physically derived sound synthesis model of a propeller
Selfridge, R; Moffat, D; Reiss, JD (2017-08-23)© 2017 Copyright held by the owner/author(s). A real-time sound synthesis model for propeller sounds is presented. Equations obtained from fluid dynamics and aerodynamics research are utilised to produce authentic ... -
REAL-TIME PHYSICAL MODEL FOR SYNTHESIS OF SWORD SWING SOUNDS
SELFRIDGE, R; Moffat, D; Reiss, J; 14th Sound and Music Computing Conference (2017-07-08)Sword sounds are synthesised by physical models in real- time. A number of compact sound sources are used along the length of the sword which replicate the swoosh sound when swung through the air. Listening tests are carried ... -
Real-time physical model of an Aeolian harp
SELFRIDGE, R; Moffat, D; Reiss, J; Avital, E; 24th International Congress on Sound and Vibration (2017-07-27)A real-time physical sound synthesis model of an Aeolian harp is presented. The model uses semi- empirical fluid dynamics equations to inform its operation, providing suitable parameters for users to interact. A basic wind ... -
Semantic Music Production: A Meta-Study
Moffat, D; De Man, B; Reiss, JD (2022) -
Sound effect synthesis
Moffat, D; SELFRIDGE, R; Reiss, J (Routledge, 2019-07-31) -
Sound Synthesis of Objects Swinging through Air Using Physical Models
Selfridge, R; Moffat, D; Reiss, JD (2017-11) -
Subjective comparison of music production practices using the Web Audio Evaluation Tool
DE MAN, BM; Jillings, N; Moffat, D; Reiss, JD; Stables, R; 2nd AES Workshop on Intelligent Music Production (2016-09-13)The Web Audio Evaluation Tool is an open-source, browser- based framework for creating and conducting listening tests. It allows remote deployment, GUI-guided setup, and analysis in the browser. While currently being used ... -
Towards a Semantic Web Representation and Application of Audio Mixing Rules
Moffat, D; Thalmann, F; Sandler, M; 4th Workshop on Intelligent Music Production (WIMP) (2018-09-06) -
Web Audio Evaluation Tool: A Browser-based Listening Test Environment
Jillings, N; Man, BD; Moffat, D; Reiss, JD; 12th Sound and Music Computing Conference (2015) -
Web Audio Evaluation Tool: A framework for subjective assessment of audio
Jillings, N; DE MAN, BM; Moffat, D; Reiss, JD; Stables, R; 2nd Web Audio Conference (2016-04-03)Perceptual listening tests are commonplace in audio research and a vital form of evaluation. While a large number of tools exist to run such tests, many feature just one test type, are platform dependent, run on proprietary ... -
What do your footsteps sound like? An investigation on interactive footstep sounds adjustment
Turchet, L; Moffat, D; nez, AT-J; Reiss, JD; Stockman, T (Elsevier, 2016-04)This paper presents an experiment where participants were asked to adjust, while walking, the spectral content and the amplitude of synthetic footstep sounds in order to match the sounds of their own footsteps. The sounds ...