Now showing items 1-8 of 8

    • Exploring Experiences with New Musical Instruments through Microphenomenology 

      Reed, CN; Nordmoen, C; Martelloni, A; Lepri, G; Robson, N; Zayas-Garin, E; Cotton, K; Mice, L; McPherson, A; International Conference on New Interfaces for Musical Expression (2022-06-16)
      This paper introduces micro-phenomenology, a research discipline for exploring and uncovering the structures of lived experience, as a beneficial methodology for studying and evaluating interactions with digital musical ...
    • From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs 

      Mice, L; Mcpherson, A; International Conference on New Interfaces for Musical Expression (Birmingham City University, 2020-07-21)
      hen performing with new instruments, musicians often develop new performative gestures and playing techniques.Music performance studies on new instruments often con-sider interfaces that feature a spectrum of gestures ...
    • Interactive Neural Resonators 

      Diaz Fernandez, R; Saitis, C; Sandler, M; International Conference on New Interfaces for Musical Expression (International Conference on New Interfaces for Musical Expression, 2023-05-31)
      In this work, we propose a method for the controllable synthesis of real-time contact sounds using neural resonators. Previous works have used physically inspired statistical methods and physical modelling for object ...
    • An Iterative Design ‘by proxy’ Method for Developing Educational Music Interfaces 

      Ford, C; Nash, C; International Conference on New Interfaces for Musical Expression (Birmingham City University, 2020-07-21)
      Iterative design methods involving children and educators are difficult to conduct, given both the ethical implications and time commitments understandably required. The qualitative design process presented here recruits ...
    • The M in NIME: Motivic analysis and the case for a musicology of NIME performances 

      Mice, L; Mcpherson, A; International Conference on New Interfaces for Musical Expression (International Conference on New Interfaces for Musical Expression, 2022-06-28)
      While the value of new digital musical instruments lies to a large extent in their music making capacity, analyses of new instruments in the research literature often focus on analyses of gesture or performer experience ...
    • A platform for low-latency continuous keyboard sensing and sound generation 

      Moro, G; Mcpherson, A; International Conference on New Interfaces for Musical Expression (International Conference on New Interfaces for Musical Expression, 2020-07-20)
      On several acoustic and electromechanical keyboard instruments, the produced sound is not always strictly dependent exclusively on a discrete key velocity parameter, and minute gesture details can affect the final sonic ...
    • The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual Studies 

      Lam, JR; Saitis, C; International Conference on New Interfaces for Musical Expression (2021-01-01)
      When two sounds are played at the same loudness, pitch, and duration, what sets them apart are their timbres. This study documents the design and implementation of the Timbre Explorer, a synthesizer interface based on ...
    • A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case 

      Zhang, L; Wu, Y; BARTHET, M; International Conference on New Interfaces for Musical Expression (2016-07-11)
      This paper presents a web-based application enabling au- diences to collaboratively contribute to the creative pro- cess during live music performances. The system aims at enhancing audience engagement and creating new ...