Sparse Representations in Audio and Music: From Coding to Source Separation
dc.contributor.author | Plumbley, MD | en_US |
dc.contributor.author | Blumensath, T | en_US |
dc.contributor.author | Daudet, L | en_US |
dc.contributor.author | Gribonval, R | en_US |
dc.contributor.author | Davies, ME | en_US |
dc.date.accessioned | 2012-07-18T14:39:03Z | |
dc.date.issued | 2010-06 | en_US |
dc.identifier.issn | 0018-9219 | en_US |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/2621 | |
dc.description | © 2009 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works.Published version: Proceedings of the IEEE, 98 (6), 995-1005, June 2010. DOI:10.1109/JPROC.2009.2030345. | en_US |
dc.format.extent | 995 - 1005 | en_US |
dc.language.iso | en | en_US |
dc.relation.ispartof | P IEEE | en_US |
dc.subject | Audio coding | en_US |
dc.subject | basis functions | en_US |
dc.subject | discrete cosine transforms | en_US |
dc.subject | Fourier transforms | en_US |
dc.subject | music | en_US |
dc.subject | signal representations | en_US |
dc.subject | wavelet transforms | en_US |
dc.subject | BLIND SOURCE SEPARATION | en_US |
dc.subject | POLYPHONIC MUSIC | en_US |
dc.subject | SIGNAL RECOVERY | en_US |
dc.subject | DICTIONARIES | en_US |
dc.subject | ALGORITHMS | en_US |
dc.subject | REGRESSION | en_US |
dc.subject | MIXTURES | en_US |
dc.subject | PURSUIT | en_US |
dc.subject | MODELS | en_US |
dc.title | Sparse Representations in Audio and Music: From Coding to Source Separation | en_US |
dc.type | Article | |
dc.identifier.doi | 10.1109/JPROC.2009.2030345 | en_US |
pubs.issue | 6 | en_US |
pubs.notes | Not known | en_US |
pubs.volume | 98 | en_US |