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dc.contributor.authorSTURM, BLTen_US
dc.contributor.authorBen-Tal, Oen_US
dc.contributor.authorDMRN+11: Digital Music Research Network One-day Workshop 2016en_US
dc.date.accessioned2017-02-10T16:16:54Z
dc.date.available2016-12-20en_US
dc.date.issued2016-12-20en_US
dc.date.submitted2017-02-10T11:38:33.230Z
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/19347
dc.description.abstractWe discuss our work in modelling and generating music transcriptions using deep recurrent neural networks. In contrast to similar work, we focus on creating a rich evaluation methodology that seeks to address questions related to what a model has learned about the music, how useful it is for music practices, and its broader implications for music tradition. We engage with a specific homophonic music practice (session music), and present several examples of using our models for music composition in and out of the conventions of that idiom. We are currently exploring how these computer models can contribute to the tradition by engaging with its practitionersen_US
dc.titleWorking Toward Computer-Augmented Music Traditionsen_US
dc.typeConference Proceeding
dc.rights.holder© Centre for Digital Music, Queen Mary University of London
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.publisher-urlhttps://qmro.qmul.ac.uk/xmlui/handle/123456789/19345en_US
dcterms.dateAccepted2016-12-20en_US


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