Discourses of Carnival and transgression in British and Caribbean writing, 1707-1848.
Abstract
This thesis is an analysis of the cultural relationship between Britain and the
Caribbean from the eighteenth century through to the mid-nineteenth century. It is
organised around the concept, considered both as an historical practice and a
metaphor. Using a variety of literary sources such as diaries, historical documents, as
well as poetry, drama and canonical literary texts by Lady Maria Nugent, Matthew
Lewis, James Thomson, Daniel Defoe and William Beckford, the thesis develops the
argument that British identity was consolidated through the rejection of an authentic
metropolitan Carnival culture in favour of a constructed national profile, predicated
on Protestantism and imperialism. This is contrasted with the way in which the
Caribbean was framed within the parameters of Carnival and was described within a
burgeoning discourse of monstrosity and fear. The thesis discusses the origins of this
image of the Caribbean as a site of Carnival and moral transgression, examining how
groups such as the sugar planter, pirates and slaves established the islands as corrupt,
uncontrolled and antithetical to Britishness. It also highlights the centrality of the
Caribbean, not only for imperial commerce, but significantly, establishes the way the
Caribbean becomes a cultural repository of Carnival for Britain during the period
under study. The discussion demonstrates how the Caribbean becomes a powerful
symbol conflating Carnival excess and hedonism with fears regarding the fragility of
Britishness as a constructed identity. It develops this by exploring the Caribbean subtext
in Romantic and Gothic fictions, investigating how the symbol evolves in the
period under focus from an implicit threat in canonical texts such as Jane Austen's
Mansfield Park to a more explicit symbol of fear, as exemplified by Bertha Mason in
Charlotte Bronte's text Jane Eyre.
Authors
Raghunath, Anita ShantiCollections
- Theses [3711]