Show simple item record

dc.contributor.authorMagedera, Ian Hollis
dc.date.accessioned2011-08-03T14:11:57Z
dc.date.available2011-08-03T14:11:57Z
dc.date.issued1997
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/1637
dc.descriptionPhDen_US
dc.description.abstractThis thesis interprets the language of the self in both editions of Jean Genet's five works of early prose fiction. Its appendices present the first list of the 65000 words of excisions and variants between the subscribers' (1943-48) and public editions (1949-53). Many critics have interpreted Genet's works in terms of his life, applying to them a reductive notion of the self. Subjectivity in this thesis is a broader concept which addresses the (self-) representation of narrators and characters. I apply close textual analysis to two types of passage (relating to gestures and language consciousness respectively) which represent subjectivity in non-specular language (where one thing does not clearly reflect or refer to another). I use the ubiquitous 'geste' as the guide-word for my analysis of gesture since its usage is similar in each of the texts considered. Gestures are of course mediated by language in Genet's texts but, surprisingly, are only partially represented in visual terms. Consequently, gestures do not serve to consolidate subjectivity and resist attribution to individual characters. It is rather in the interpretation of gestures that narrators and characters who both perform and interpret gestures can negotiate the assigning of meaning and the concomitant firming tip of subjectivity. Language consciousness is a textual speculation on the production and reception of a passage or text and each of Genet's texts demonstrates different interactions between such speculations and the representation of subjectivity. My emphasis on language consciousness helps to elucidate tile structure of the prose text (narrative frames, for example) and its relation to other genres (literary criticism and poetry, for example). I conclude that in Genet's texts innovative language represents (and sometimes fails to represent) plural subjectivity in complex ways. I argue that the interdependence of these three aspects (language, representation and subjectivity) presents a new paradigm for understanding Genet's texts. Furthermore, I outline in my conclusions how it is possible to apply a comparative analysis of these aspects to other works such as Martin Heidegger's Zur Seiqfrage (1955).en_US
dc.language.isoenen_US
dc.subjectFrench Literatureen_US
dc.titleSubjectivity, gesture and language consciousness in the early prose fiction of Jean Genet (1910-1986).en_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


Files in this item

Thumbnail

This item appears in the following Collection(s)

  • Theses [2958]
    Theses Awarded by Queen Mary University of London

Show simple item record