| dc.contributor.author | Ewert, S | |
| dc.contributor.editor | Müller, M | |
| dc.contributor.editor | Chew, E | |
| dc.contributor.editor | Bello, JP | |
| dc.date.accessioned | 2016-10-19T15:37:38Z | |
| dc.date.available | 2016-10-19T15:37:38Z | |
| dc.date.issued | 2016-10-07 | |
| dc.date.submitted | 2016-10-12T17:38:59.631Z | |
| dc.identifier.citation | Müller, Meinard, Elaine Chew, and Juan Pablo Bello, "Computational Music Structure Analysis (Dagstuhl Seminar 16092)", Dagstuhl Reports, 6 (2016) <http://drops.dagstuhl.de/opus/volltexte/2016/6141/> [accessed 19 October 2016] | en_US |
| dc.identifier.issn | 2192-5283 | |
| dc.identifier.other | 2 | |
| dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/15953 | |
| dc.description | urn: urn:nbn:de:0030-drops-61415 | en_US |
| dc.description.abstract | In terms of terminology, “musical structure” has been used in several, different contexts. In one interpretation, musical structure is essentially equivalent to musical form, which can be considered as a genre or rather style specific definition of the expectation of how a piece is composed on a rather global level. Another interpretation of structure is closer to the corresponding mathematical notion, where structure yields properties and regularity. | en_US |
| dc.format.extent | 175 - 176 | |
| dc.publisher | Schloss Dagstuhl–Leibniz-Zentrum fuer Informatik | en_US |
| dc.title | Representation of Musical Structure for a Computationally Feasible Integration with Audio-Based Methods | en_US |
| dc.type | Article | en_US |
| dc.rights.holder | © Meinard Müller, Elaine Chew, and Juan Pablo Bello | |
| dc.identifier.doi | 10.4230/DagRep.6.2.147 | |
| dc.relation.isPartOf | Dagstuhl Reports (Computational Music Structure Analysis (Dagstuhl Seminar 16092)) | |
| pubs.declined | 2016-10-12T17:38:56.418+0100 | |
| pubs.issue | 2 | |
| pubs.publication-status | Published | |
| pubs.publisher-url | http://drops.dagstuhl.de/opus/volltexte/2016/6141 | |
| pubs.volume | 6 | |
