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dc.contributor.authorSong, Chunyang
dc.date.accessioned2016-09-12T13:05:21Z
dc.date.available2016-09-12T13:05:21Z
dc.date.issued2014-06
dc.date.submitted2016-09-12T13:59:42.674Z
dc.identifier.citationSong, C. 2014. Syncopation: Unifying Music Theory and Perception. Queen Mary University of Londonen_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/15132
dc.descriptionPhDen_US
dc.description.abstractSyncopation is a fundamental feature of rhythm in music. However, the relationship between theory and perception is currently not well understood. This thesis is concerned with characterising this relationship and identifying areas where the theory is incomplete. We start with a review of relevant musicological background and theory. Next, we use psychophysical data to characterise the perception of syncopation for simple rhythms. We then analyse the predictions of current theory using this data and identify strengths and weaknesses in the theory. We then introduce further psychophysical data which characterises the perception of syncopation for simple rhythms at different tempi. This leads to revised theory and a new model of syncopation that is tempo-dependent.en_US
dc.description.sponsorshipJoint Programme College Scholarshipen_US
dc.language.isoenen_US
dc.publisherQueen Mary University of Londonen_US
dc.subjectSyncopationen_US
dc.titleSyncopation: Unifying Music Theory and Perceptionen_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


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    Theses Awarded by Queen Mary University of London

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