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dc.contributor.authorNicholson Sanz, Michelle
dc.date.accessioned2016-06-21T09:57:50Z
dc.date.available2016-06-21T09:57:50Z
dc.date.issued2016-02-29
dc.date.submitted2016-06-14T15:49:12.044Z
dc.identifier.citationNicholson Sanz, M, 2016, Staging Port Cities: Place and Nation in the Theatre of Yuyachkani, Bando de Teatro Olodum and Catalinas Sur.,Queen Mary University of London.en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/12982
dc.descriptionPhDen_US
dc.description.abstractThis doctoral thesis examines theatre as a site for counteracting hegemonic representations of the nation. My focus is on three contemporary Latin American theatre companies and the ways in which they stage the sense of place of the port cities where they are based. By examining these groups’ explorations of the political and social imaginaries related to these ports, I aim to determine how theatre can challenge essentialised discourses of national identity. An examination of the Peruvian theatre group Yuyachkani allows me to look at the place of indigenous peoples in Lima. Through a discussion of Catalinas Sur, based in Buenos Aires, I highlight the cultural identities newly produced and those erased as a consequence of mid-nineteenth-century European immigration to the city. The focus on Bando de Teatro Olodum facilitates a consideration of struggles against racial discrimination towards Afro-Brazilians in Salvador, Bahia. I propose close readings of specific productions devised by these troupes that concentrate on three main topics. The first of these is migration, examining how foreigners have infused difference in these ports. The second theme looks at conceptions of time and the third considers notions of space. In all three cases the focus allows for a questioning of dominant discourses on modernity, order and progress. Such rhetoric has been equally predominant in Peru, Brazil and Argentina and has justified exclusivist accounts of the nation since the early histories of these republics. Through recourse to performance analysis, I examine theatre’s capacity to shift the focal point of interest towards the borders of mainstream society. My claim is that this perspective allows room for presences that have been historically rendered mute and also helps to draw attention to modes of social and political organisation that differ from those naturalised by national elites.
dc.description.sponsorshipQueen Mary University of London Society for Latin American Studies (SLAS, UK),en_US
dc.language.isoenen_US
dc.publisherQueen Mary University of Londonen_US
dc.subjectEnglish and Dramaen_US
dc.subjectnational identityen_US
dc.subjectpolitical and social theatreen_US
dc.titleStaging Port Cities: Place and Nation in the Theatre of Yuyachkani, Bando de Teatro Olodum and Catalinas Sur.en_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


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