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dc.contributor.authorMcCallum, Louis
dc.date.accessioned2016-06-16T11:53:02Z
dc.date.available2016-06-16T11:53:02Z
dc.date.issued2016-03-03
dc.date.submitted2016-06-14T12:31:45.340Z
dc.identifier.citationMcCallum, L, 2016: Friend Me Your Ears: A Musical Approach to Human-Robot Relationships, Queen Mary University of London.en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/12903
dc.descriptionPhDen_US
dc.description.abstractA relationship is something that is necessarily built up over time, however, Human-Robot Interaction (HRI) trials are rarely extended beyond a single ses- sion. These studies are insufficient for examining multi-interaction scenarios, which will become commonplace if the robot is situated in a workplace or adopts a role that is part of a human's routine. Long term studies that have been exe- cuted often demonstrate a declining novelty effect. Music, however, provides an opportunity for affective engagement, shared creativity, and social activity. This being said, it is unlikely that a robot best equipped to build sustainable and meaningful relationships with humans will be one that can solely play music. In their day-to-day lives, most humans encounter machines and computer programs capable of executing impressively complex tasks to a high standard that may provide them with hours of engagement. In order to have anything that that could be classed as a social relationship, the human must have the sense that their interactions are taking place with another, a phenomenon known as social presence. In this thesis, we examine whether the addition of simulated social behaviours will improve a sense of believability or social presence, which, along with an engaging musical interaction, will allow us to move towards something that could be called a human-robot relationship. First, we conducted a large online survey to gain insight into relationships based in regular music activ- ity. Using these results, we designed, constructed and programmed Mortimer, a robotic system capable of playing the drums and a responsive composition algorithm to best meet these aims. This robot was then used in a series of studies, one single session and two long-term, testing various simulated social behaviours to compliment the musical improvisation. These experiments and their results address the paucity of long-term studies both speci cally in Social Robotics and in the broader HRI eld, and provide a promising insight into a possible solution to generally poor outcomes in this area. This conclusion is based upon the model of a positive human-robot relationship and the method- ological approach of automated behavioural metrics to evaluate robotic systems in this regard developed and detailed within the thesis.en_US
dc.description.sponsorshipthe EPSRC as part of the Media and Arts Tech-nology Doctoral Training Centre, EP/G03723X/2.en_US
dc.language.isoenen_US
dc.publisherQueen Mary University of Londonen_US
dc.subjectElectronic Engineering and Computer Scienceen_US
dc.subjectHuman-Robot Interactionen_US
dc.titleFriend Me Your Ears: A Musical Approach to Human-Robot Relationships.en_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


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    Theses Awarded by Queen Mary University of London

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