| dc.contributor.author | Broch, L | |
| dc.contributor.author | Pooley, WG | |
| dc.contributor.author | Smith, AWM | |
| dc.date.accessioned | 2024-05-09T10:27:24Z | |
| dc.date.available | 2024-05-09T10:27:24Z | |
| dc.date.issued | 2023-12-01 | |
| dc.identifier.issn | 0269-1191 | |
| dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/96738 | |
| dc.description.abstract | What does it mean to see the history of France through objects? In 1837, Thomas Carlyle chose three things to structure his analysis of the French Revolution: the Bastille, the Constitution and the Guillotine.1 Yet Carlyle used these objects as a kind of shorthand, as symbols for the greater whole, rather than subjects of sustained analysis and reflection. This special issue puts the analysis of objects at the heart of French history, to ask what material histories of France might mean. | en_US |
| dc.format.extent | 345 - 356 | |
| dc.publisher | Oxford University Press | en_US |
| dc.relation.ispartof | French History | |
| dc.rights | This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial License (https://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited. For commercial re-use, please contact journals.permissions@oup.com | |
| dc.title | Moving objects: French history and the study of material culture | en_US |
| dc.type | Article | en_US |
| dc.rights.holder | © The Author(s) 2023. Published by Oxford University Press on behalf of the Society for the Study of French History. | |
| dc.identifier.doi | 10.1093/fh/crad051 | |
| pubs.issue | 4 | en_US |
| pubs.notes | Not known | en_US |
| pubs.publication-status | Published | en_US |
| pubs.volume | 37 | en_US |
| rioxxterms.funder | Default funder | en_US |
| rioxxterms.identifier.project | Default project | en_US |
