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dc.contributor.authorVigus, Jen_US
dc.date.accessioned2023-04-19T14:34:51Z
dc.date.available2023-02-17en_US
dc.date.issued2023-04-13en_US
dc.identifier.urihttps://qmro.qmul.ac.uk/xmlui/handle/123456789/85850
dc.description.abstractByron’s satirical poem The Age of Bronze, a ‘hit’ at the Congress of Verona, targets the sycophancy of artists who celebrated the Congress and other manifestations of political power. The Age of Bronze asserts a different, more active and critical task for the artist, than the decorativeness expected within the European Congress system. “I am Diogenes”, states the poet, speaking truth to power in an age of obfuscation. Byron’s biting allusions to prominent public poetry and sculpture are selectively compared with other contemporary satire. The antisemitic terms of Byron’s critique of global financialisation are analysed, as is Byron’s self-conscious undermining of his chosen poetic form.en_US
dc.format.extent25 - 42 (17)en_US
dc.languageEnglishen_US
dc.publisherCa' Foscarien_US
dc.relation.ispartofEnglish Literature: Theories, Interpretations, Contextsen_US
dc.rightsAttribution 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.subjectByron. British Romanticism. European Romanticism. Satire. Cultural Patriotism. Congress of Verona.en_US
dc.title"Strange Sight this Congress!" Byron's The Age of Bronze (1823) and the Congress of Veronaen_US
dc.typeArticle
dc.identifier.doi10.30687/EL/2420-823X/2022/01/002en_US
pubs.issue9en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.volume2022en_US
dcterms.dateAccepted2023-02-17en_US


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Attribution 3.0 United States
Except where otherwise noted, this item's license is described as Attribution 3.0 United States