dc.contributor.author | Ekiz, O | en_US |
dc.date.accessioned | 2020-09-24T14:49:12Z | |
dc.date.accessioned | 2020-09-24T15:30:12Z | |
dc.date.issued | 2019-12 | en_US |
dc.identifier.issn | 2045-9807 | en_US |
dc.identifier.uri | https://qmro.qmul.ac.uk/xmlui/handle/123456789/67208 | |
dc.format.extent | 452 - 470 | en_US |
dc.relation.ispartof | QUEEN MARY JOURNAL OF INTELLECTUAL PROPERTY | en_US |
dc.relation.replaces | https://qmro.qmul.ac.uk/xmlui/handle/123456789/67206 | |
dc.relation.replaces | 123456789/67206 | |
dc.relation.replaces | 123456789/67205 | |
dc.relation.replaces | https://qmro.qmul.ac.uk/xmlui/handle/123456789/67205 | |
dc.subject | limitations and exceptions | en_US |
dc.subject | freedom of panorama | en_US |
dc.subject | copyright clearance | en_US |
dc.subject | documentary | en_US |
dc.subject | documentary film festivals | en_US |
dc.title | Documenting the copyright sphere: can festivals solve the problem of copyright clearance for documentaries? | en_US |
dc.type | Article | |
dc.identifier.doi | 10.4337/qmjip.2019.04.05 | en_US |
pubs.author-url | http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000560611900010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=612ae0d773dcbdba3046f6df545e9f6a | en_US |
pubs.issue | 4 | en_US |
pubs.merge-from | 123456789/67205 | |
pubs.merge-from | https://qmro.qmul.ac.uk/xmlui/handle/123456789/67205 | |
pubs.notes | Not known | en_US |
pubs.publication-status | Published | en_US |
pubs.volume | 9 | en_US |