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dc.contributor.authorEllis, Men_US
dc.date.accessioned2015-01-20T15:36:04Z
dc.date.issued2012en_US
dc.identifier.issn0013-8304en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/6363
dc.description.abstractEighteenth-century women writers repeatedly expressed resistance to the public exposure of print publication. The first publication of the bluestocking intellectual Elizabeth Montagu, three satirical dialogues included in George Lyttelton's Dialogues of the Dead (1760), exemplifies this problem. Montagu used a variety of techniques to distance herself from the stigma of print: sociable composition, coterie criticism, disavowal of authorship, and anonymous publication. In her correspondence, Montagu explored an important but overlooked account of "the author in form," a concept developed by Shaftesbury in his Characteristicks (1714) to reconcile the aristocratic practice of scribal publication to commercial print publicationen_US
dc.format.extent417 - 445 (28)en_US
dc.languageEnglishen_US
dc.language.isoenen_US
dc.publisherJohns Hopkins University Pressen_US
dc.relation.ispartofELH - English Literary Historyen_US
dc.subjectbluestockingsen_US
dc.subjectwomen writersen_US
dc.subjectWhigsen_US
dc.subjectpublication and authorshipen_US
dc.subjectanonymityen_US
dc.title'An author in form': Women writers, print publication, and Elizabeth Montagu's Dialogues of the Deaden_US
dc.typeArticle
dc.identifier.doi10.1353/elh.2012.0012en_US
pubs.issue2en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.publisher-urlhttp://muse.jhu.edu/journals/elh/v079/79.2.ellis.htmlen_US
pubs.volume79en_US


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