Professionalisation and the female musician in early-Victorian Britain: the campaign for Eliza Salmon
dc.contributor.author | KENNERLEY, DT | en_US |
dc.contributor.editor | Golding, R | en_US |
dc.date.accessioned | 2018-11-21T12:06:15Z | |
dc.date.issued | 2018-03-28 | en_US |
dc.date.submitted | 2018-11-08T16:10:25.425Z | |
dc.identifier.other | 3 | |
dc.identifier.other | 3 | |
dc.identifier.other | 3 | |
dc.identifier.other | 3 | en_US |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/52523 | |
dc.format.extent | 53 - 71 | en_US |
dc.language.iso | en | en_US |
dc.publisher | Routledge | en_US |
dc.relation.ispartof | The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity | en_US |
dc.title | Professionalisation and the female musician in early-Victorian Britain: the campaign for Eliza Salmon | en_US |
dc.type | Book chapter | |
pubs.notes | 18 months | en_US |
pubs.place-of-publication | Abingdon | en_US |
pubs.publication-status | Published | en_US |
qmul.funder | Doctoral Studentship::Arts and Humanities Research Council | en_US |
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