• Des "beaux-arts" à "l'histoire de l'art": devenir d'une discipline dans les universités britanniques en guerre 

  OLERON EVANS, EMB (Editions universitaires de Dijon, 2018-02-27)

• Griselda, The Musical? From ‘Le Livre de la vertu du sacrement de mariage’ to ‘L’Estoire de Griseldis en rimes et par personnages’ 

  ARMSTRONG, A (Librairie Droz, 2019-04-01)

• Gustav Friedrich Waagen et l’institutionnalisation des « trésors de l’art » en Grande-Bretagne 

  Oléron Evans, É (CNRS Éditions, 2015-05-29)

• LACUNARY KNOWLEDGE IN SEBALD AND PROUST 

  Edward J. Hughes (Modern Humanities Research Association, 2014)

• Historien, guide, pédagogue: le discours architectural novateur de Nikolaus Pevsner 

  OLERON EVANS, EMB (Éditions de la Maison des sciences de l'homme, Paris, 2015-02-10)

• "Nikolaus Pevsner arpenteur des arts - Des origines allemandes de l’histoire de l’art britannique" 

  OLERON EVANS, E (Démopolis, 2015-10-15)

• Art practice and art history in fin de siècle Alsace: the art journal Das Kunstgewerbe in Elsass-Lothringen 

  OLERON EVANS, E (University of Birmingham, 2018-12-01)

• Housing the Art of the Nation 

  OLERON EVANS, E (Association of Historians of Nineteenth-Century Art, 2018-04)

• L2 Editorial Identity Performance: French-Language Publication in Dutch-Speaking Environments in the Burgundian Low Countries 

  ARMSTRONG, A

  The paratext and materiality of early printed books are, among other things, a medium through which editors and publishers perform a particular identity for consumption by their customers and competitors: as innovative, ...

• Intellectuals and the Nation in Renaissance France? Verse Epitaphs for Louise de Savoie 

  ARMSTRONG, A

• Playing and Being in Georges Perec 

  KEMP, A (Oxford University Press (OUP), 2018-09-28)

• Je me souviens de Beyrouth: Zeina Abirached's Perequian Practice 

  KEMP, A (Intellect, 2017-11-01)

• ‘Cette fermeture du sens sur quoi, migrant, je bute’ : Crossing Cultures in Mohammed Dib 

  HUGHES, EJ (Taylor & Francis, 2017-12-20)

  L’Arbre à dires, part essay, part travel diary, part cultural reflection, and the novel Si Diable veut were both published by Mohammed Dib in 1998. While they both focus on the negotiation of cultural borders and the themes ...

• The Autofictional Re-incarnations of Chloé Delaume 

  Kemp, A; Society for French Studies annual conference

• Dogs don’t do ballet but they do get translated: The cross-cultural adventures of Biff the dancing dog 

  KEMP, A; Born Happy?: Happiness, Childhood and Children’s Literature

• Orlan: Having it All 

  KEMP, A; TORCH: Coming Off Clean: Women's Sexual Autobiography

• Molinet imprimé : perspectives éditoriales 

  ARMSTRONG, A; Les premiers imprimés français et la littérature de Bourgogne

• Raised Fists: Politics, Technology and Embodiment in 1970s French Feminist Video Collectives 

  MURRAY, RJ (Duke University Press, 2016-04-15)

• 'Le passeport de la douleur ou rien': Fawzia Zouari’s Ce pays dont je meurs and the politics of pain 

  KEMP, A (Liverpool University Press, 2016-04-01)

• Translating Poetic Capital in 15th-Century Brussels: From Amé de Montgesoie’s “Pas de la Mort” to Colijn Caillieu’s “Dal sonder Wederkeeren” 

  ARMSTRONG, A (2015)

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