• A Poetics of the Writers' Conference: Literary Relation in the Cold War World 

  Mangalagiri, AN

• Sade and the Novel 

  Mcmorran, W (Cambridge University Press, 2021)

• Editorial 

  Callard, F; Hayward, R; Nicholls, A (2016-07)

• Zivilisierte Konkurrenz: Die Entstehung der English Goethe Society und ihr Verhältnis zur Goethe-Gesellschaft Weimar. 

  Schopf, F; Nicholls, A

• A Donkey’s Wisdom: Can Literature Help Us Respond to the China–India Border Clash? 

  Mangalagiri, AN (2020-08-22)

  The recent clash between Indian and Chinese soldiers in the Galwan Valley has unleashed a new wave of anti-China sentiment and violent rhetoric in India. Can literature help us respond to the China–India border clash more ...

• Shealing: Post-disaster slow healing and later recovery 

  Mika, K; Kelman, I (2020-03-13)

• Review of Marie Vieux Chauvet’s Theatres: Thought, Form, and Performance of Revolt 

  Mika, K (CEDLA, 2020-04-16)

• Listening to the Alice Books 

  Vaclavik, K

• Olympic Revels for ‘little patrons’: classical mythology in nineteenth-century children’s toy theatres 

  Bryant Davies, R

• Romanticism’s Longue Durée: 1968 and the projects of theory 

  Tihanov, G (Taylor & Francis (Routledge), 2019-11-01)

• World Literature, War and Revolution: The Significance of Viktor Shklovskii’s A Sentimental Journey 

  Tihanov, G (2019-11-01)

• Rhetorical Naturalisation in the History of Philology: August Schleicher, Friedrich Max Müller and Their Critics 

  Nicholls, A

• Ellipses of Cultural Diplomacy: The 1957 Chinese Literary Sphere in Hindi 

  Mangalagiri, AN (2019-12-06)

• Fish, Firemen, and Prize Fighters: The Transformation of the Iliad and Aeneid on the London Burlesque Stage 

  Bryant Davies, R (Oxford University Press, 2018-12-01)

  Burlesque drama—arguably the most widespread form of theatrical entertainment in nineteenth-century Britain—brought the Iliad and Aeneid to a wider range of spectators than those who traditionally encountered ancient ...

• The Figure of Mary Mother of God in Christus Patiens: Fragmenting Tragic Myth and Passion Narrative in a Byzantine Appropriation of Euripidean Tragedy 

  Bryant Davies, R (Cambridge University Press (CUP), 2019-11-07)

  <jats:title>Abstract</jats:title><jats:p>The Byzantine passion play <jats:italic>Christus Patiens</jats:italic> (<jats:italic>Christ Suffering</jats:italic>) is a cento: composed of quotations and borrowings from other ...

• The World Within: Worlding Theory and the Language of Method in World Literature 

  Mangalagiri, A (University of Toronto Press Inc. (UTPress), 2017-06-16)

• Intersecting Imperialisms: The Rise and Fall of Empires in Richard Flanagan’s The Narrow Road to the Deep North 

  Holgate, B (Brill, 2019-08-12)

  Richard Flanagan’s The Narrow Road to the Deep North (2013), which features the Thai-Burma ‘Death Railway’ in World War Two, depicts a complex web of imperial regimes that converge and clash in the mid-twentieth century. ...

• World Book Day and Its Discontents: The Cultural Politics of Book-Based Fancy Dress 

  Vaclavik, K (2019-06)

• The Fear of Solitude: How Marketing Makes Real Magic 

  HOLGATE, BD (Springer, 2017-06-04)

  The. Fear. of. Solitude: How. Marketing. Makes. Real. Magic. Ben. Holgate. Even in the digital age, which has rendered geographical boundaries largely redundant in terms of e-book distribution, the process of how a novel ...

• ‘The Impossibility of Knowing’: Developing Magical Realism’s Irony in Gould’s Book of Fish 

  HOLGATE, BD (Association for the Study of Australian Literature, 2014-10-01)

  Irony is an underlying factor of magical realist fiction. Richard Flanagan’s novel Gould’s Book of Fish (2001) is imbued with a particular kind of irony that results from a gap between a contemporary reader’s lament for a ...

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